Admin

Tiroler Festspiele Erl

Baryton (+6)

Michael Nagy

Amfortas

Bas (+4)

Brindley Sherratt

Gurnemanz

Tenor (+3)

Jonas Kaufmann

Parsifal

Baryton (+8)

Georg Nigl

Klingsor

Mezzosopran (+2)

Irene Roberts

Kundry

Dramaturg

Dramaturg (+1)

Werner Hintze

Dirigent

Dirigent (+2)

Asher Fisch

Video designer

Thomas Achitz

Kostym designer

Regine Standfuß

Ljus designer

Stefan Schlagbauer

Scenograf

Heike Vollmer

Tenor (+1)

Marius Pallesen

Erster Gralsritter

Bas (+1)

Lukas Enoch Lemcke

Zweiter Gralsritter

Sopran

Annina Wachter

Erster Knappe

Mezzosopran (+3)

Nicole Chirka

Zweiter Knappe

Klingsors Zaubermädchen 1

Stefani Krasteva

Klingsors Zaubermädchen 2

Zoe Hippius

Klingsors Zaubermädchen 3

Maya Gour

Klingsors Zaubermädchen 5

Karis Tucker

Klingsors Zaubermädchen 6

Stimme aus der Höhe

Orchestra

Orchester der Tiroler Festspiele Erl

Chorus

Chor der Tiroler Festspiele Erl

Regissör

Philipp M. Krenn

Festspielhaus

Tenor (+2)

Gustavo Quaresma

Dritter Knappe

Tenor (+4)

Lukas Siebert

Vierter Knappe

Clive Bayley

Titurel

Sopran (+1)

Evelina Liubonko

Klingsors Zaubermädchen 4

Baryton (+4)

Nikola Diskic

Bayreuth, 1882: Turmoil in Wagner's verbosely wondrous consecration play. “Parsifal” is too short! In order for the stage magic to be in sync with the music, a few bars are missing. “What, now I have to compose by the meter!” complains Wagner, who would be amazed at how today's technical refinements reduce the timing stress.

 

In Erl, the Austrian director Philipp Maria Krenn and his team confront the story of “pure foolishness” - even without a passion play house, but, as in previous years, in keeping with Easter. This tradition, revived, is a gift to all “Parsifal” friends who don’t want to miss out on the “meditation rush” this season.

Parsifal (Parsifal (utdrag)), Wagner, Richard

Medverkande