Organization

Śpiewak

Baryton

Todd Boyce

Pelléas

Michał Prószyński

Sopran

Evgenia Asanova

Mélisande

Bas - baryton

Robin Adams

Golaud

Matheus França

Arkel

Mezzosopran

Claude Eichenberger

Geneviève

Głos dziecięcy

Orsolya Nyakas

Yniold

Christian Valle

Un Médecin

Un berger

Reżyseria

Elmar Goerden

Dyrygent

Sebastian Schwab

Reżyseria światła

Christian Aufderstroth

Kostiumy

Lydia Kirchleitner

Scenografia

Silvia Merlo

Ulf Stengl

Dramaturgia

Gerhard Herfeldt

Rebekka Meyer

Przygotowanie chóru

Zsolt Czetner

Eleonora Vacchi

Sarah Mehnert

Daniel Carter

Bühnen Bern

Orchestra

Bern Symphony Orchestra

Others

Chor der Bühne Baden

Chor der Bühnen Bern

francuski

Pelléas et Mélisande -  (Peleas i Melizanda)

Berno

Szwajcaria

Stadttheater Bern

Pelléas et Mélisande Debussy

Public

Peleas i Melizanda

niemiecki

Approved

Pelleas et Melisande

Ein Ring, ein tiefer Brunnen, das rauschende Meer in der Ferne und die Angst vor dem freien Fall: In einer Welt voller Symbole entwickelt sich die zarte, fas...

A ring, a deep well, the rushing sea in the distance and the fear of free fall: in a world full of symbols, the tender, almost childlike love develops between Mélisande and Pelléas, the brother of her husband Golaud. Incapable of fathoming and naming their feelings, the three are headed straight for catastrophe... Debussy set the symbolic main work of the playwright Maurice Maeterlinck to music in a tonal language that was as gloomy as it was sensitive and precise, and created one of the most influential French operas of the early 20th century. With Elmar Goerden, a director looks into the abysses of the souls of these characters, who has shown his intuition for the multi-layered hidden longings of people in the last seasons at the Berne Theater across all genres.

A ring, a deep well, the rushing sea in the distance and the fear of free fall: in a world full of symbols, the tender, almost childlike love develops between Mélisande and Pelléas, the brother of her husband Golaud. In the inability to fathom and name their feelings, the three head straight for catastrophe ... Debussy set to music the main symbolist work of the playwright Maurice Maeterlinck and created one of the most formative French operas of the early years in a gloomy, sensitive and chiseled musical language 20th century. With Elmar Goerden, a director looks into the abysses of the souls of these characters, who has shown his feeling for the multi-layered, hidden longings of the people in the last seasons at the Bühnen Bern across all disciplines.

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble