Name: Perduto In Una Città D’acque
Start: 2016-06-03T00:00:00.000Z
End: 2016-06-03T00:00:00.000Z
Location: Refettorio Museo Nazionale

Admin

Ravenna Festival

Stefano Malferrari

piano

Instrumentalista

Francesco Giomi

Live Electronics

Others

Tempo Reale

Perduto In Una Città D’acque

Rawenna

Włochy

Refettorio Museo Nazionale

Public

Private

Glifo

East-St.Louis Blues

…Sofferte Onde Serene…

Larissa Andrea Pereira

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Dyrygent

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Kontratenor

Śpiewak

Sopran

Bas - baryton

Mezzosopran

Kontralt

Baryton

Tenor

Alto

Continuo

Głos dziecięcy

Silent

Spoken

Sensitive to the distinctive soundscape of Venice, his hometown, and especially to the sound of the various bells that mark the rhythm of daily life, Nono said: “They are indications of life on the lagoon, on the sea. Calls to work, to meditation. Warnings. And life continues there in the painful and calm necessity of the “balance of the deep interior” as Kafka says.” Similarly evocative are the pieces by Foresi and Ratoci, two composers from the Millennial Generation, struggling with a sort of “aesthetics of ruins 2.0”. Foresi looks at the piano as a sort of sampler, deprived of its romantic aura, while Ratoci takes us to what is now a “non-place”, East St. Louis, Illinois, in search of Miles Davis’s childhood home, among the “ghosts” and/or the relics of traditional blues and swing.

English

Sensibile al soundscape, alla particolarissima atmosfera sonora di Venezia, la sua città, e specialmente al suono delle campane, così vario, che ritma la vita quotidiana, Nono diceva: “Sono segnali di vita sulla laguna, sul mare: inviti al lavoro, alla meditazione, avvertimenti”. E la vita vi continua nella necessità sofferta e serena dell’“equilibrio del profondo interiore”, come dice Kafka. Evocativi sono anche i brani di Foresi e Ratoci, come possono esserlo per due compositori della Millennial Generation alle prese con una sorta di estetica delle rovine 2.0. Foresi vede così nel pianoforte una sorta di campionatore privo della sua aura romantica, mentre Ratoci ci conduce in un “non luogo” com’è oggi East St. Louis, Illinois, alla ricerca della casa natale di Miles Davis, tra l’emergere di “spettri” e/o reliquie della tradizione blues e swing.

italiano

Perduto In Una Città D’acque by Sciarrino, Michele Foresi, Alessandro Ratoci, Nono, od (2016/2016), Refettorio Museo Nazionale, Rawenna, Włochy

Udział w spektaklu (Obsada & realizacja )

Obsada

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca