Name: Peter Eötvös
Start: 2019-05-03T00:00:00.000Z
End: 2019-05-03T00:00:00.000Z
Location: Herkulessaal

Organization

Conductor

Peter Eötvös

Mezzo-soprano

Iris Vermillion

Tenor

Eric Stokloßa

Others

Chor des Bayerischen Rundfunks

Orchestra

Symphonieorchester des Bayerischen Rundfunks

Munich

Germany

Herkulessaal

Peter Eötvös: Concert Various

Public

Concert

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Bass-baritone

Countertenor

Baritone

Soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Maybe music cannot change the world, but it can certainly hold up a mirror to its absurdities. And this is precisely what the music of Peter Eötvös does! Oratorium balbulum – Halleluja, to a libretto by the Hungarian writer Péter Esterházy, is a merry but wily stocktaking of our present day. At its centre is a stuttering prophet who, faced with the state of our world, simply cannot manage to make any predictions about the future. The gliding of the eagle in the skies was composed in 2016 on a commission from the Basque national orchestra, Euskadiko Orkestra. Eötvös took his inspiration from the image of an eagle soaring high in the sky, a figure from a Basque song that the composer considers the ne plus ultra of complete liberty. Alle vittime senza nome (To the nameless victims) was prompted by shocking pictures of the refugee tragedy. It is a three-movement orchestral piece recalling the numberless human beings who have perished in the Mediterranean on the way to a better life.

English

Peter Eötvös by Various, Παρ 03 Μαι 2019, Aπό (2019/2019), αγωγός Peter Eötvös, Herkulessaal, Munich, Germany

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