Name: Peter Friis Johansson
Start: 2024-05-05T00:00:00.000Z
End: 2024-05-05T00:00:00.000Z
Location: Konserthuset (Stockholm Concert Hall)

Organization

Stockholm Concert House

Singer

Peter Friis Johansson

Piano

Pianist

Konserthuset Stockholm

Stockholm

Sweden

Konserthus

The Main Hall

Peter Friis Johansson: Sonatas and Interludes Cage (+2 More)

Public

Private

Sonatas and Interludes

3 Irish Legends, HC 354

Sex karaktärsstycken för piano, op. 4

Approved

Konserthuset (Stockholm Concert Hall)

Med sitt glödande spel och sin exceptionella teknik har Peter Friis Johansson etablerat sig som en av Skandinaviens mest framstående konsertpianister. 

Han har ett stort intresse för nutida musik och här tar han sig an John Cages banbrytande Sonatas and Interludes, inspirerade av Indisk filosofi. Den ytterst suggestiva musiken består av tjugo korta stycken där pianot preparerats med skruvar, muttrar, suddgummin och plastbitar som stoppats in mellan strängarna för att förändra klangen. 

Inledningsvis hör vi Gävletonsättaren Bo Lindes Sex karaktärsstycken, skrivna runt 1952–53 när Linde just avslutat sina kompositionsstudier för Lars-Erik Larsson. Och tvärt emot den tidens modernistiska trend är det musik som präglas av melodisk lätthet och elegans. Helt annorlunda klingar den amerikanske avantgardisten Henry Cowells (1897–1965) mustiga Three Irish Legends. För att skapa de stora klangmassiven – ofta med en dragning mot impressionism – får solisten ibland ta till underarmarna.

svenska

With his glowing playing and his exceptional technique, Peter Friis Johansson has established himself as one of Scandinavia's most prominent concert pianists. 

He has a great interest in contemporary music and here he tackles John Cage's groundbreaking Sonatas and Interludes, inspired by Indian philosophy. The extremely evocative music consists of twenty short pieces where the piano is prepared with screws, nuts, erasers and pieces of plastic inserted between the strings to change the tone. 

Initially, we hear Gävleton composer Bo Linde's Six character pieces, written around 1952–53 when Linde had just finished his composition studies with Lars-Erik Larsson. And contrary to the modernist trend of the time, it is music that is characterized by melodic lightness and elegance. American avant-garde artist Henry Cowell's (1897–1965) musty Three Irish Legends sound completely different. To create the large tonal arrays – often with a tendency towards impressionism – the soloist sometimes has to use his forearms.

English

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