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Peter Grimes, Britten
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Peter Grimes by Britten, 周六 09 7月 2022, 从 (2022/2022), 導演是 Stefan Herheim, 导体 Edward Gardner, James Conlon, Nationaltheater, Munich, Germany

查看演員和工作人員 09 7月 2022

投擲

  • Peter Grimes

    SS

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12)

  • Ellen Orford

    Rachel Willis-Sørensen

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12; 9月 21, 24, 27, 30)

  • Auntie

    Claudia Mahnke

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12)

  • Niece I

    LO

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12; 9月 21, 24, 27, 30)

  • Niece II

    Emily Pogorelc

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12)

  • Balstrode

    Iain Paterson

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12)

  • Mrs. (Nabob) Sedley

    (Mrs (Nabob) Sedley)

    Jennifer Johnston

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12; 9月 21, 24, 27, 30)

  • Swallow

    Brindley Sherratt

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12; 9月 21, 24, 27, 30)

  • Ned Keene

    KK

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12)

  • Bob Boles

    KC

    (2022 2月 28; 3月 03; 7月 09, 12; 9月 21, 24, 27, 30)

  • Rev. Horace Adams

    PG

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12; 9月 21, 24, 27, 30)

  • Hobson

    DN

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12; 9月 21, 24, 27, 30)

全體人員

  • Costume designer

    Esther Bialas

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12; 9月 21, 24, 27, 30)

  • Set designer

    SB

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12; 9月 21, 24, 27, 30)

  • Dramaturge

    AM

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12; 9月 21, 24, 27, 30)

    MK

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12; 9月 21, 24, 27, 30)

  • Lighting designer

    MB

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12; 9月 21, 24, 27, 30)

    P

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12)

  • Video

    TM

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12; 9月 21, 24, 27, 30)

  • Chorus master

    SF

    (2022 2月 28; 3月 03, 06, 10, 13; 7月 09, 12)

合奏

聯合製片人

程序

1

"The struggle of the individual against the crowd. The more evil society, the more evil the individual.” was a lifelong theme for Britten. With each turn, the noose tightens until another misfortune seals Grimes' fate. Britten's first major opera is an inexhaustible panorama of interpersonal entanglements, portrayed in the world of simple coastal dwellers whose fugues only hold together poorly. His music penetrates deep into the soul with its sounds for the lonely individual, the unleashed crowd and eternal nature. Stefan Herheim has been one of the most important opera directors of the present for around two decades. Always feeling from the point of view of the music, he interprets old and new works for our time in performances that are astonishing, visually powerful and exuberantly sensual. The often-described musicality of his performances is not surprising: Stefan Herheim began his career by studying the cello and made his way into opera with his own marionette theatre. Through his studies with Götz Friedrich he received the necessary tools. His long-time comrade-in-arms Alexander Meier-Dörzenbach, a polymath with a doctorate and international university experience, who was significantly involved as a dramaturge in practically all productions, provides much more than just the intellectual basis. Ring des Nibelungen at the Deutsche Oper Berlin, as well as with the costume designer Esther Bialas, who has previously worked on the productions of The Tales of Hoffmann and La Cenerentola . As conductor, Edward Gardner completes this management team for the first time. His expertise in musical theater - from London to New York - is equally rich, and his English heritage is just the icing on the cake that makes him the ideal advocate for Benjamin Britten as the most important British composer of the 20th century.
關於資訊可在: English
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