Name: Pierrot Lunaire
Start: 2024-02-22T00:00:00.000Z
End: 2024-02-25T00:00:00.000Z
Location: Teatro de la Abadía

Organization

Conductor

Jordi Francés

Stage director

Xavier Sabata

Choreographer

María Cabeza de Vaca

Singer

Mezzo-soprano

Sprechstimme

Gran Teatre del Liceu

Teatro Real de Madrid

Orchestra

Solistas de la Orquesta Titular del Teatro Real

Teatro de La Abadia

Video designer

CUBE .BZ

Pierrot Lunaire -  (Moonstruck Pierrot)

Madrid

Spain

Teatro de la Abadía

Pierrot Lunaire

Public

Private

Moonstruck Pierrot

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Teacher

Translator

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass

Countertenor

Bass-baritone

Baritone

Contralto

Soprano

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Este melodrama del compositor austriaco está basado en una selección de 21 poemas de Albert Giraud. Y servirá para conmemorar el 150 aniversario del nacimiento de Arnold Schoenberg, quien al componer esta obra se sintió extremadamente inspirado por los versos de poemas sobre amor, religión, sexo, violencia, crimen o blasfemia.  

El «padre» de la vanguardia musical del siglo XX abrazó la atonalidad en 1908, pero solo en 1913 –con el estreno de su Pierrot lunaire, obra fundacional del modernismo– la radicalidad de su mensaje encontró acomodo en un planteamiento integral en el que concepto, poesía, dicción, tímbrica y contenido musical se fundieran en una propuesta artística orgánica. Menos sabido es que este concepto fue alumbrado por una mujer –Albertine Zehme–, audaz artista proveniente del cabaret literario que acudió al compositor austriaco en búsqueda del soporte sonoro adecuado para los versos del poeta simbolista

Albert Giraud, en los que se anudan sin solución de continuidad amor, sexo y religión, violencia, crimen y blasfemia. Obra de culto hasta nuestros días, se presentará según una propuesta escénica del contratenor Xavier Sabata, quien aborda este ciclo de canciones –tradicionalmente interpretado por solistas femeninas– a través de una lectura que resalta la curiosidad de Pierrot, un personaje que suele aparecer envuelto en la soledad y el silencio, pero que en esta ocasión decide tomar la palabra. Así, Pierrot dialoga con la figura de Narciso, a partir de pasajes de Ovidio, «este consumiéndose para conocerse y aceptarse; y aquel aislándose, construyéndose un avatar para esconder el sufrimiento que conlleva no sentirse nunca en casa», dice Sabata.

Espacio escénico e iluminación: CUBE.BZ

español

This melodrama by the Austrian composer is based on a selection of 21 poems by Albert Giraud. And it will serve to commemorate the 150th anniversary of the birth of Arnold Schoenberg, who in composing this work was extremely inspired by the verses of poems about love, religion, sex, violence, crime or blasphemy.

The “father” of 20th century vanguard music embraced atonality in 1908, but it was only in 1913 – with the premiere of his Pierrot lunaire, a fundamental work of modernism – that the radicality of his message found its place in a total approach: concept, poetry, diction, timbre and musical content came together in an organic artistic proposal. Less known is the fact that this was thanks to a woman –Albertine Zehme–, an audacious artist from the literary cabaret which the Austrian composer frequented in search of an adequate sound support for the verses of the symbolist poet, Albert Giraud, who fuses love, sex and religion, violence, crime, and blasphemy without interruption.

With cult status to our days, the piece comes to the stage in a scenic proposal by counter tenor Xavier Sabata. He approaches this song cycle - traditionally performed by female soloists -   with a focus on the curiosity of Pierrot, a character who comes across as solitary and silent. On this occasion, he decides to speak up. Here, Pierrot and the figure of Narciso converse, with passages of Ovidio, «this one wasting away in his search to find and accept himself; while that one isolates himself, constructing an avatar to hide the suffering which comes with never finding a place of belonging”, in the words of Sabata.  

Scenic space and lighting: CUBE.BZ

English

Moonstruck Pierrot by Schoenberg, Arnold, ol. 23 ots. 2024, Noiztik (2024/2024), Zuzendaria Xavier Sabata,, Zuzendaria Jordi Francés, Teatro de la Abadía, Madrid, Spain

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