Organization

Ténor (+3)

Yusif Eyvazov

Hermann

Baryton (+5)

Vladislav Sulimsky

Le Comte Tomski

Baryton (+1)

Igor Golovatenko

Le Prince Yeletski

Ténor (+2)

Vasily Gafner

Tchekalinski

Basse (+3)

Denis Makarov

Sourine

Ténor

Ivan Maksimeyko

Tchaplitski

Vladimir Komovich

Narumov

Konstantin Artemiev

Le Maître des Cérémonies

Mezzo-soprano (+3)

Svetlana Shilova

La Comtesse

Soprano (+2)

Anna Nechaeva

Lisa

Mezzo-soprano (+2)

Alina Chertash

Pauline

Contralto (+3)

Irina Berezina

Une Gouvernante

Tatiana Vetrova

Masha

Soprano (+1)

Albina Latipova

Prilepa

Milovzor

Zlatogor

Mise en scène

Rimas Tuminas

Direction d'orchestre

Direction d'orchestre (+3)

Tugan Sokhiev

Lumières

Damir Ismagilov

Costumes

Maria Danilova

Décors

Décors (+1)

Adomas Jacovskis

Chorégraphie

Anzelica Cholina

Chef de chœur

Chef de chœur (+1)

Valery Borisov

Bolshoi Theatre

Théâtre Tovstonogov

Mise en scène (+1)

Anželika Cholina

The Queen of Spades is the pinnacle of Pyotr Ilyich Tchaikovsky's opera and one of the most famous Russian operas in the world. The highest emotional tension of the key scenes captivates the audience of our time in the same way as it captivated the composer's contemporaries.

The Queen of Spades was created by Tchaikovsky in less than five months. The composer worked with feverish enthusiasm, often overtaking the librettist, who was his own brother Modest. The text for some numbers (dancing in the second picture, Yeletsky's chorus and aria in the third, Lisa's aria in the sixth picture and others), being unable to wait for the finished libretto, Tchaikovsky composed himself.

The opera was first performed on December 7, 1890 in St. Petersburg, and eleven months later it was staged at the Bolshoi Theater in Moscow. The Moscow production brought together an excellent ensemble of performers, of which the author especially liked the part of Lisa, Maria Deisha-Sionitskaya.

The Queen of Spades almost immediately begins to sound abroad: in Prague (1892), Zagreb (1898), Darmstadt (1900), Vienna (1902), Milan (1906), Berlin (1907), Stockholm (1909), New York (1910), Paris (1911), and then many other cities.

In the first half of the 20th century, the Bolshoi Theater constantly turned to this opera. Literally every decade was marked by new readings: in 1918, 1920, 1927, 1931, 1942. The era of stormy searches was followed by decades of stability: the play, staged in 1944 by Leonid Baratov with scenery by Vladimir Dmitriev, became a real long-liver. This production was staged at the Bolshoi for more than sixty years (since 1964, directed by Boris Pokrovsky). The premiere was conducted by Alexander Melik-Pashaev, later Vasily Nebolsin, Boris Khaikin, Evgeny Svetlanov, Gennady Rozhdestvensky, Dmitry Kitaenko, Mark Ermler, Yuri Simonov, Andrey Chistyakov, Alexander Lazarev and other outstanding conductors were at the podium. Famous Bolshoi soloists sang in this production: Galina Vishnevskaya, Tamara Milashkina, Makvala Kasrashvili, Valentina Levko,

Now the "Queen of Spades" is again experiencing a period of search and experimentation. The current production is already the third in the 21st century. In 2007, a “black-and-white” version by Valery Fokin with Mikhail Pletnev at the conductor’s stand was released on the New Stage, in 2015 the famous production by Lev Dodin, designed by David Borovsky (conductor Mikhail Yurovsky) was shown.

In the work on the new "Queen of Spades" the chief conductor of the Bolshoi Tugan Sokhiev and the chief director of the theater. Vakhtangov Rimas Tuminas, who already had a successful experience of cooperation in the work on the opera "Katerina Izmailova" by D. Shostakovich. The production team included Tuminas' constant collaborators - set designer Adomas Jacovskis, choreographer Anzhelika Kholina, costume designer Maria Danilova, lighting designer Damir Ismagilov. Their work is distinguished by a complex plastic drawing, sometimes close to choreographic paintings. Avoiding external effects, the authors of the play focused on the inner world of the characters, who are close and understandable to the audience.

Pikovaya Dama (La Dame de Pique), Tchaikovsky, P. I.

Distribution

Herman

Graf Tomsky

Knyaz Yeletsky

Chekalinsky

Surin

Chaplitsky

Narumov

Rasporyaditel

Grafinya

Liza

Polina

Guvernantka

Masha

Prilepa/Chloë

Milovzor/Daphnis

Zlatogor/Plutus

Équipage

Mise en scène

Direction d'orchestre

Décors

Costumes

Chef de chœur

Lumières

Chorégraphie

Instrumentation

Producteur

Producteur

Ensemble

Coproducteur

Photos

À propos de

Compositeur

Livret

Description

Synopsis de la Production