Name: Piotr Anderszewski
Start: 2024-01-14T00:00:00.000Z
End: 2024-01-14T00:00:00.000Z
Location: Konserthuset (Stockholm Concert Hall)

Organization

Pianist

Piotr Anderszewski

Instrumentalist

Piano

Konserthuset Stockholm

Stockholm

Sweden

Konserthus

The Main Hall

Public

6 Partitas, BWV 825-830

20 Mazurkas, op. 50

Bagatelles

Partita No. 1 in B minor, BWV 1002

Approved

Konserthuset (Stockholm Concert Hall)

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Singer

Bass-baritone

Tenor

Baritone

Contralto

Bass

Soprano

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Piotr Anderszewski: 6 Partitas, BWV 825-830 Bach, J. S. (+2 More)

Polish Piotr Anderszewski has recorded around twenty albums, many of which have earned the finest distinctions of the industry, and without hesitation, he is one of today’s most respected pianists. He performs on the most prestigious stages around the world, but has actually only played at Konserthuset once before, in a recital with violinist Viktoria Mullova 25 years ago.  

The programme is framed by two scores by Johann Sebastian Bach, in between which we hear works by Bartók and Piotr Anderszewski’s fellow countryman, Szymanowski. Szymanowski’s Mazurkas – we hear five of the twenty performed here – take Chopin’s style further into the twentieth century. The music contains a variety of different moods, with an impressive richness of colour and inventiveness. 

The Bagatelles were composed after Bartók conducted his first in-depth explorations of Hungarian folk music. As is often the case with Bartók, the music contains elements of both folk music and contemporary classical, as expressed through Bartók’s imaginative and creative symbiosis of sounds.

English

Polske Piotr Anderszewski har spelat in ett 20-tal album, många av dem belönade med branschens finaste utmärkelser, och han är utan tvekan en av de mest respekterade pianisterna av i dag. Han framträder på de mest prestigefyllda scenerna världen över, men har faktiskt bara spelat i Konserthuset en gång tidigare: en recital med violinisten Viktoria Mullova för 25 år sedan.  

Programmet ramas in av två partitor av Johann Sebastian Bach, och däremellan verk av Bartók och av Piotr Anderszewskis landsman Szymanowski. Mazurkorna av Szymanowski – här framförs fem av de totalt 20 – är musik som tar Chopins idiom vidare in i 1900-talet. Musiken rymmer en mängd olika stämningslägen, med en färg- och uppfinningsrikedom som är imponerande. 

Bagatellerna kom till efter att Bartók gjort sina första fördjupade undersökningar av ungersk folkmusik. Musiken präglas som ofta hos Bartók av både det folkmusikaliska och tidens konstmusik, så som det kommer till uttryck i Bartók fantasifulla och kreativa symbios.

svenska

Piotr Anderszewski by Bach, J. S., Szymanowski, Bartók, 일 14 1월 2024, 에서 (2024/2024), Konserthuset (Stockholm Concert Hall), Stockholm, Sweden

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