Name: Powder Her Face
Start: 2023-10-20T00:00:00.000Z
End: 2023-10-28T00:00:00.000Z
Location: Semper Zwei

Organization

Conductor

Tim Anderson

Stage director

Georg Schmiedleitner

Set designer

Harald W Thor

Costume designer

Tanja Hofmann

Lighting designer

Marco Dietzel

Dramaturge

Johann Casimir Eule

Soprano

Mary Plazas

Duchess

Tenor

Peter Tantsits

Delivery Boy

Bass

Andrew Nolen

Duke

Semperoper Dresden

Rhian Lois

Confidante

Orchestra

Projektorchester

Powder Her Face

Dresden

Germany

Semper Zwei

Public

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Video designer

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Contralto

Baritone

Bass-baritone

Countertenor

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Powder Her Face Adès

Die Kammeroper »Powder Her Face« ist seit ihrer Uraufführung 1995 in England international eine der meistaufgeführten Opern Großbritanniens. Thomas Adès (*1971) traf mit diesem frühen kompositorischen Wurf offensichtlich einen Nerv: In sieben Bildern wird rückschauend und geschickt zwischen Imagination und Erinnerung changierend, das lustvolle wie skandalträchtige Leben der Upperclass-Lady Margaret Campbell, Duchess of Argyll (1912–1993) geschildert. Musikalisch ist das Werk für 15 Instrumente und vier Solist*innen, die teilweise virtuos ihre zahlreichen Rollen wechseln, eine Hommage an die populären Musikstile ihrer Zeit von Swing bis Tango aber auch an Kurt Weill, Alban Berg und Igor Strawinsky.

Deutsch

Since its world premiere in England in 1995, the chamber opera »Powder Her Face« has been one of the most frequently performed operas in Great Britain. Thomas Adès (*1971) obviously struck a chord with this early compositional stroke: retrospectively and skilfully alternating between imagination and memory, seven images depict the joyful and scandalous life of upper-class lady Margaret Campbell, Duchess of Argyll (1912–1993). . Musically, the work for 15 instruments and four soloists, some of whom change roles with virtuosity, is a homage to the popular musical styles of their time, from swing to tango, but also to Kurt Weill, Alban Berg and Igor Stravinsky.

English

Powder Her Face by Adès, ol. 20 urr. 2023, Noiztik (2023/2023), Zuzendaria Georg Schmiedleitner,, Zuzendaria Tim Anderson, Semper Zwei, Dresden, Germany

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