Name: Příhody lišky Bystroušky
Start: 2021-09-24T00:00:00.000Z
End: 2022-02-24T00:00:00.000Z
Location: Theater am Goetheplatz

Organization

Cantor

Vocalista Infantil

Gustav Keil

Skokánek

Soprano

Johann Pilster

Frantík

Mathilde Bulling

Pepík

Cvřcek

Diretor de Palco

Tatjana Gürbaca

Maestro

Marko Letonja

Designer de Iluminação

Stefan Bolliger

Estilista

Silke Willrett

Cenógrafo

Henrik Ahr

Dramaturgo

Isabelle Becker

Mestre de Coro

Alice Meregaglia

Nadine Lehner

Lišák

Contralto

Ulrike Mayer

Pi. Revírníková

Barítono

Christoph Heinrich

Revírník

Tenor

Christian-Andreas Engelhardt

Rechtor

Sungkuk Chang

Pásek

Mezzo-soprano

Astrid Kunert

Lapák

Sowa

Datel

Baixo

Daniel Eggert

Dachs

Julia Huntgeburth

Sojka

Silent

Nora Ronge

Vaška

William Kelley

Nathalie Mittelbach

Takako Onodera

Jussi Juola

Fařar

Marysol Schalit

Bystrouška

Stephen Clark

Harašta

Leonie Ratzek

Malá Bystrouška

Lusine Ghazaryan

Pásková

Komár

Chocholka

Lara Ratzek

Melcher Bulling

Asuka Kodama

Kobylka

Maximilian Vondrasek

Alexander Voß

Theater Bremen

Orchestra

Bremer Philharmoniker

Others

Children's Choir of the Theater Bremen

Chor des Theater Bremen

tcheco

Příhody lišky Bystroušky -  (A Raposinha Matreira)

Bremen

Alemanha

Theater am Goetheplatz

Public

A Raposinha Matreira

alemão

Approved

“What an animal. Wherever it appears, it changes the rules of the game. ”(Katrin Schumacher) - The title role in Janáček's later opera is a vixen - clever, spirited and combative, sought after by the male-dominated human world as exotic, domestic animals or simply as a fur muff. Is it the mysterious withdrawal or the promise of a free, animal life that attracts people so much about the forest animals? In his “fabulous” opera, the musical dramatist Leoš Janáček challenges the closeness of humans and animals, especially in the encounter between the forester and the fox: always attracted and repelled, irritated and fascinated. Janáček, who listened to nature's animal noises and language's rhythms and put them into notes, develops a subtle view of the world - which Tatjana Gürbaca translates as usual sensual in her sixth Bremen production. Marko Letonja, General Music Director of the Bremen Philharmonic, makes his debut at the podium at the Bremen Theater.

English

A Raposinha Matreira by Janáček, qui 24 fev 2022, De (2021/2022), Dirigido por Tatjana Gürbaca,, Regente Marko Letonja, William Kelley, Theater am Goetheplatz, Bremen, Alemanha

Créditos do espetáculo (Elenco & Equipe )

Elenco

Conjunto

Programa, Sobre & Sinopse

Vídeos

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos