Name: Lady Macbeth of Mtsensk, Op. 29
Start: 2025-02-22T00:00:00.000Z
End: 2025-05-03T00:00:00.000Z
Location: Opernhaus Düsseldorf

Admin

Deutsche Oper am Rhein

Others

Chor der Deutschen Oper am Rhein

Orchestra

Düsseldorf Symphony Orchestra

Conductor

Vitali Alekseenok

Stage director

Elisabeth Stöppler

Dramaturge

Anna Melcher

Costume designer

Su Sigmund

Set designer

Annika Haller

Chorus master

Gerhard Michalski

Singer

Bass

Andreas Bauer Kanabas

Boris Timofeyevich Izmailov

Tenor

Sergey Polyakov

Sergei

Valentin Ruckebier

Seargeant

Baritone

Thorsten Grümbel

Police inspector

Soprano

Anke Krabbe

Aksinia

First labourer

Torben Jürgens

Mill-worker

Old Convict

Contralto

Maria Polanska

Sonyetka

Izabela Matuła

Ekaterina Lvovna Izmailova

Sergei Khomov

Shabby Peasant

Drunken guest

Coachman

A teacher

Benjamin Popson

Priest

Constantin Moței

A policeman

rússneska

Lady Macbeth of Mtsensk, Op. 29

Dusseldorf

Germany

Opernhaus Düsseldorf

Public

Keerthi Raj

þýska

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Composer

Dancer

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Bass-baritone

Mezzo-soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Katerina Ismailowa ist wohlhabend verheiratet und einsam, ihr Mann impotent und ihr Schwiegervater ein Tyrann. Sie ist eingesperrt in einer Welt, in der erbarmungslose Rohheit, Despotie und Grausamkeit herrschen. Die lebens- und liebeslustige Frau gibt ihrer rauen Sehnsucht nach Freiheit Raum, als Sergej bei der Familie Ismailow zu arbeiten beginnt. Sie wirft sich in eine leidenschaftliche Affäre mit ihm und dem Schwiegervater Gift ins Essen. Doch die zunehmende Radikalität ihres Verlangens nach Selbstbestimmung wird weitere Opfer fordern ...

Wie weit darf ein Mensch gehen, um sich aus unwürdigen Verhältnissen zu befreien? Hier wird eine Frau niederträchtig zur Mörderin, und doch gilt ihr die Sympathie des 26-jährigen Komponisten Schostakowitsch. Seine groß angelegte, expressive Partitur zwischen tragischer Wucht und Satire, praller Groteske und erschütterndem Realismus, die nichts beschönigt und doch alles fühlbar macht, ist ein Meisterwerk des 20. Jahrhunderts. Regisseurin Elisabeth Stöppler und ihr Team erzählen nach der „Jungfrau von Orléans“ von Peter I. Tschaikowsky eine weitere radikal widersprüchliche Frauenfigur.

Deutsch

Katerina Ismailova is wealthy and lonely, her husband is impotent and her father-in-law is a tyrant. She is trapped in a world where merciless brutality, despotism and cruelty reign. The fun-loving and loving woman gives space to her raw longing for freedom when Sergei starts working for the Ismailov family. She throws herself into a passionate affair with him and her father-in-law. But the increasing radicalism of their desire for self-determination will demand further victims...

How far can a person go to free themselves from unworthy circumstances? Here a woman vilely becomes a murderer, and yet she has the sympathy of the 26-year-old composer Shostakovich. His large-scale, expressive score, between tragic force and satire, full-on grotesqueness and shocking realism, which glosses over nothing and yet makes everything tangible, is a masterpiece of the 20th century. Director Elisabeth Stöppler and her team tell another radically contradictory female character after Peter I. Tchaikovsky's “Maid of Orléans”.

English

Lady Macbeth of Mtsensk, Op. 29 by Shostakovich, sun 30 mar 2025, Frá (2025/2025), Leikstýrt af Elisabeth Stöppler,, Hljómsveitarstjóri Vitali Alekseenok, Opernhaus Düsseldorf, Dusseldorf, Germany

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