Name: Program Ten • Berlioz’s Transformation of the World of Sound
Start: 2024-08-18T00:00:00.000Z
End: 2024-08-18T00:00:00.000Z
Location: Fisher Center

Organization

Admin

Fisher Center at Bard

Bard Summerscape

Bard Music Festival

Others

Bard Festival Wind Ensemble

New Hudson Saxophone Quartet

Instrumentalist

Anna Polonsky

Piano

Program Ten • Berlioz’s Transformation of the World of Sound

Annandale

United States

Fisher Center

Olin Hall

Program Ten • Berlioz’s Transformation of the World of Sound: Chant sacré, H 44 Berlioz (+9 More)

Public

Private

Concert

Oratorio / Orchestral

Chant sacré, H 44

Fantaisie et variations sur 'Le carnaval de Venise'

Andante in C major, TrV 155

Romance in D minor, Op. 62

Andante et Scherzo

Density 21.5

Le Merle noir

Clapping Music

Sequenza V

6 Bagatelles

Maria Cueto Crespo

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Soprano

Singer

Bass-baritone

Contralto

Tenor

Baritone

Countertenor

Mezzo-soprano

Bass

Alto

Child vocalist

Continuo

Silent

Spoken

Berlioz’s innovative instrumental soundscapes had an extraordinary and liberating impact on the composers who followed. Program Ten pairs his Chant sacré, in a reconstruction of the lost version for saxophones, with a sampling of the unorthodox sonorities he helped inspire. These include pieces respectively showcasing the cornet, by virtuoso cornetist Baptiste Arban; bassoon, by Edward Elgar; and French horn, by Richard Strauss, who edited and updated the Treatise on Instrumentation. Such works helped open the door for some of the 20th century’s most adventurous sounds, by Berlioz’s compatriots Edgard Varèse and Olivier Messiaen, who shared his focus on timbre; Italian experimentalist Luciano Berio, whose trombone showpiece calls for extended techniques and theatricality; and American minimalist Steve Reich, whose Clapping Music eschews traditional instrumentation altogether. The program concludes with Six Bagatelles for wind quintet by Hungarian modernist György Ligeti, for whom timbre and texture were both vital structural elements.

English

Program Ten • Berlioz’s Transformation of the World of Sound by Berlioz, Arban, Strauss, Elgar, Bozza, Varèse, Messiaen, Reich, Berio, Ligeti, Minn (2024/2024), Fisher Center, Annandale, United States

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