Name: Programa 05
Start: 2023-12-07T00:00:00.000Z
End: 2023-12-08T00:00:00.000Z
Location: Teatro Cervantes

Organization

Admin

Orquesta Filarmónica de Málaga

Teatro Cervantes Malaga

Conductor

Rune Bergmann

Orchestra

Pianist

Sheng Cai

Piano

Programa 05

Málaga

Spain

Teatro Cervantes

Programa 05: Piano Concerto No. 2 in B-flat Major, op. 83 Brahms (+1 More)

Public

Piano Concerto No. 2

Sinfonie No. 3 in D-Dur D 200

Ayyappa swamy y

Approved

Bass

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Bass-baritone

Singer

Tenor

Countertenor

Soprano

Mezzo-soprano

Contralto

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Después de más de veinte años de su primer concierto para piano y orquesta, Brahms terminó el Segundo concierto en si bemol mayor, Op.83 el año 1881. En ese lapso de tiempo compuso obras muy trascendentes de su catálogo como las dos primeras sinfonías y el concierto para violín. En el que aquí nos ocupa el instrumento solista actúa como elemento propulsor del conjunto orquestal y no como su oponente, dada la equivalencia de carácter sinfónico que le da al piano respecto a la formación instrumental, determinada por su personal manera de tocar utilizando constantemente todo el teclado, que se traduce en una composición concertante altamente original al llegar a equipararse con una sinfonía con piano obligado. Su estructura en cuatro movimientos le da una dimensión insólita para una obra concertante que normalmente tiene sólo tres.
El peculiar estilo melodioso de Franz Schubert queda reflejado ya en sus seis primeras sinfonías, obras de juventud en las que su núcleo de orquestación está constituido por la sección instrumental del metal, destacando las trompas y las trompetas, a las que se irán añadiendo los trombones. Los temas los suele tomar prestados, orientándolos en su desarrollo a destacar el canto por encima de cualquier otra particularidad musical. En esta línea hay que entender su Tercera sinfonía en re mayor, D200 escrita en la primavera de 1815, cuando todavía impartía formación musical como asistente en la escuela de su padre.

español

Brahms finished his Concerto No.2 in B-flat Major, Op. 83 in 1881, more than twenty years after his first concerto for piano and orchestra. During that period of time he composed very important works of his catalogue, including the first two symphonies and the violin concerto. In his Concerto No.2, the soloist instrument acts as the orchestra’s driving element, and not as its opponent. This is due to the equivalent symphonic character Brahms assigned to the piano in respect to the instrumental formation, as a result of his personal style playing the piano and constantly using the whole keyboard. The result is a very original concertante composition, considered at the level of a symphony with piano obligato. Its structure in four movements gives it a unique dimension for a concertante work, which normally only have three movements.
Franz Schubert’s peculiar melodious style is reflected in his first six symphonies, composed when he was young, in which the brass section is at the core of the orchestration, with French horns and trumpets standing out along with the progressive addition of the trombones. The themes are usually borrowed, and are oriented to highlighting the canto above any other musical particularity. His Symphony No.3 in D Major, D 200, written in the spring of 1815 when he was still a music teacher at his father’s school, should be understood along this line.

English

Programa 05 by Brahms, Schubert, -tól (2023/2023), Karmester Rune Bergmann, Teatro Cervantes, Málaga, Spain

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