Name: Puccini-perler Med D’eramo Og Tetelman
Start: 2023-06-15T00:00:00.000Z
End: 2023-06-15T00:00:00.000Z
Location: Tivolis Koncertsalen

Organization

Conductor

Christoph Gedschold

Singer

Soprano

Sylvia D'Eramo

Tenor

Jonathan Tetelman

Orchestra

Tivoli Copenhagen Phil

Copenhagen Phil

Puccini-perler Med D’eramo Og Tetelman

Copenhagen

Denmark

Tivolis Koncertsalen

Puccini-perler Med D’eramo Og Tetelman: Concert Various

Public

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Instrumentalist

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Baroque Flutist

Baroque Oboist

Baroque Trumpetist

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Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

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Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

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Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

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Viola da gamba

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Violinist

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Violist

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Chorus master

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Writing and performance

Bass

Contralto

Bass-baritone

Baritone

Mezzo-soprano

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

PUCCINI-PERLER MED D’ERAMO OG TETELMAN
De store italienske følelser er på spil og synges ud i smægtende arier og duetter, når den lovende amerikanske sopran Sylvia d’Eramo og tenoren Jonathan Tetelman, som er kaldt ”en komplet stjerne”, sætter hinanden i stævne under ledelse af den tyske dirigent Christoph Gedschold.

I et program med arier og duetter af Giacomo Puccini, der om nogen forstod at jonglere med kærlighed i mange afskygninger. Ikke mindst den skæbnesvangre. Sylvia d’Eramo er en amerikansk lyrisk sopran med udsigt til en lovende fremtid. Hendes karriere har hidtil været koncentreret i det amerikanske. Hun er uddannet ved Yale School of Music, har deltaget i flere prestigefyldte udviklingsprogrammer for lovende sangere bl.a. i New York og Los Angeles, og i denne sæson har hun haft debut på Metropolitan Operaen som ‘hertuginde Ceprano’ i Verdis Rigoletto.

Den amerikanske tenor Jonathan Tetelman har fået en anmelder ved New York Times til udbryde: “Den fyr er en komplet stjerne!”. Han er født i Chile, uddannet i New York og er i fuld gang med en stor international karriere. Da Tetelman besøgte Tivoli sidste år, skrev Thomas Michelsen i Politiken: ”Her kom en stemme, der fik øjenbrynene til at løfte sig i forventningsfuld overraskelse.”

Dirigenten Christoph Gedschold er fra Tyskland og er ny musikdirektør for operaen i Leipzig. Han er i øvrigt en flittig operadirigent, men optræder også i koncertsale verden over – bl.a. regelmæssigt med Gewandhausorkestret.

Programmet byder på en overflod af Puccini-arier og duetter. De to sangere åbner med den berømte scene La boheme 1. akt, hvor ‘Rodolfo’ og ‘Mimi’ møder hinanden, og hun varmer sin hånd i hans. Og der er mere kærlighed i duetten fra 2. akt af Manon Lescaut mellem ‘Manon’ og ‘des Grieux’, hvor hun synger ’Tu, tu, amore tu’, og så er den forelskelse i gang igen.

Puccini var dog mester i mange slags ulykkelige kærligheder som f.eks. i det glemte mesterværk La Rondine med arien i 3. akt Ma come puio lasciarmi, hvor ‘Ruggero’ synger til den elskede ‘Magda’, hvordan hun kan finde på at forlade ham. Men det gør hun. En af operalitteraturens største tenor-arier er på programmet, når Jonathan Tetelman synger ‘Cavadarossis’ E lucevan stelle’ til stjernen (og Tosca), kort inden han skal henrettes. Og det bliver han.

Endnu mere tårevædet bliver det i ‘Liùs’ tårepersende arie Tu che di gel sei cinta fra 3. akt af Puccinis Turandot, om hvad der giver den unge pige styrke til at gennemgå torturen – det er naturligvis kærligheden. Hvorefter hun begår selvmord. Og aftenen slutter med en duet fra Madama Butterfly: Viene la sera fra 1. akt; om aftenens komme, hvor ‘Pinkerton’ tror, at han elsker Madame Butterfly – og hun i hvert tilfælde elsker ham. Men den grumme historie skulle vise, at det forholdt sig anderledes. Puccini var også en smertens mester.

dansk

PUCCINI PEARLS WITH D'ERAMO AND TETELMAN
The great Italian emotions are at stake and sung out in languid arias and duets, when the promising American soprano Sylvia d'Eramo and the tenor Jonathan Tetelman, who has been called "  a complete star",  put each other in competition under the direction of the German conductor Christoph Goat's fault.

In a program of arias and duets by Giacomo Puccini, who if anyone knew how to juggle love in many guises. Not least the fateful one. Sylvia d'Eramo is an American lyric soprano with a promising future. Her career has so far been concentrated in the American. She is educated at the Yale School of Music, has participated in several prestigious development programs for promising singers, e.g. in New York and Los Angeles, and this season she debuted at the Metropolitan Opera as 'Duchess Ceprano' in Verdi's Rigoletto .

The American tenor Jonathan Tetelman has caused a reviewer at the New York Times to exclaim:  "That guy is a complete star!" . He was born in Chile, educated in New York and is in full swing with a great international career. When Tetelman visited Tivoli last year, Thomas Michelsen wrote in Politiken:  "Here came a voice that made the eyebrows rise in expectant surprise."

The conductor Christoph Gedschold is from Germany and is the new music director of the opera in Leipzig. He is also a diligent opera conductor, but also performs in concert halls around the world - e.g. regularly with the Gewandhaus Orchestra.

The program features an abundance of Puccini arias and duets. The two singers open with the famous scene La boheme Act 1, where 'Rodolfo' and 'Mimi' meet and she warms her hand in his. And there is more love in the duet from Act 2 by Manon Lescaut between 'Manon' and 'des Grieux', where she sings 'Tu, tu, amore tu' , and then that infatuation is on again.

However, Puccini was a master of many kinds of unhappy love, such as in the forgotten masterpiece La Rondine with the aria in Act 3  Ma come puio lasciarmi, where 'Ruggero' sings to the beloved 'Magda' how she can come to leave him. But she does. One of operatic literature's greatest tenor arias is on the program when Jonathan Tetelman sings 'Cavadarossi' E lucevan stelle'  to the star (and Tosca ), shortly before he is to be executed. And he will be.

It becomes even more tear-soaked in 'Liù's' tear-jerking aria Tu che di gel sei cinta  from Act 3 of Puccini's  Turandot , about what gives the young girl the strength to go through the torture - it is, of course, love. After which she commits suicide. And the evening ends with a duet from  Madama Butterfly: Viene la sera from Act 1; about the coming of the evening, when 'Pinkerton' thinks he loves Madame Butterfly - and she loves him anyway. But the grim history was to show that it was otherwise. Puccini was also a master of pain.

English

Puccini-perler Med D’eramo Og Tetelman by Various, 周四 15 6月 2023, 从 (2023/2023), 导体 Christoph Gedschold, Tivolis Koncertsalen, Copenhagen, Denmark

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