Name: Quartetto Klimt
Start: 2018-06-27T00:00:00.000Z
End: 2018-06-27T00:00:00.000Z
Location: Chiostro Della Biblioteca Classense

Admin

Ravenna Festival

Matteo Fossi

piano

Duccio Ceccanti

violin

Edoardo Rosadini

viola

Alice Gabbiani

cello

Others

Klimt Quartet

Instrumentalist

Piano

Violin

Viola

Cello

Pianist

Violinist

Violist

Cellist

Quartetto Klimt

Genoa

Italy

Chiostro Della Biblioteca Classense

Public

Private

Adagio E Rondò Concertante In Fa Maggiore D487

Piano Quartet in A Minor

Quartet in A minor (from Mahler's Quartettsatz)

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Piano Quartet in E Flat, op. 47

Larissa Andrea Pereira

Approved

Accordionist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violino Piccolo Player

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Conductor

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Singer

Mezzo-soprano

Soprano

Countertenor

Bass

Baritone

Contralto

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Ci sono relazioni che superano lo spazio e il tempo. Come quella che, a oltre un secolo di distanza, lega il giovane Mahler, allievo di Conservatorio a Vienna alle prese nel 1876 con un’esercitazione, un Quartetto di cui ci lascia il primo movimento e sole 27 battute di uno Scherzo, con il maturo Schnittke che, in Russia nel 1988, decide di partire proprio da quel frammento, forzando l’audacia formale e armonica già insita in Mahler con la sensibilità di chi ha vissuto tutte le contraddizioni del Novecento. Il Quartetto Klimt, dall’alto di oltre un ventennio di sodalizio, incornicia il binomio con l’urgenza espressiva dell’op. 47 composta in soli cinque giorni all’apice del fervore cameristico di Schumann, con la brillante raffinatezza da “pezzo d’occasione” dell’Adagio e Rondò di Schubert, ma anche con Corghi, eloquente incursione nel nuovo millennio.

italiano

There are ties that overcome space and time. One such tie bound the young Mahler to the mature Schnittke, more than a hundred years apart: the first was a student in Vienna when, in 1876, he wrote a piano quartet whose surviving manuscript only includes the first movement and 27 bars of a Scherzo. The second, in 1988 Russia, worked on that fragment, forcing Mahler’s innate formal and harmonic audacity with the sensitivity of a man who had been through the contradictions of the XX century. Quartetto Klimt now propose this work in a programme that also features the expressive urgency of Schumann’s op. 47, composed in a mere five days at the height of his “chamber music period”, as well as Schubert’s “brilliant” Adagio and Rondo, a superb “pièce d’occasion”, and Corghi’s eloquent foray into the new millennium.

English

Quartetto Klimt by Schubert, F. L., Mahler, Schnittke, Corghi, Schumann, az. 27 eka. 2018, Noiztik (2018/2018), Chiostro Della Biblioteca Classense, Genoa, Italy

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