Name: Radamisto
Start: 2022-04-20T00:00:00.000Z
End: 2022-04-24T00:00:00.000Z
Location: Bing Concert Hall

Organization

Conductor

Richard Egarr

Stage director

Christophe Gayral

Set designer

George Souglides

Costume designer

Lighting designer

Peter van Praet

Singer

Bass

Morgan Pearse

Farasmane

Countertenor

Iestyn Davies

Radamisto

Bass-baritone

Neal Davies

Tiridate

Soprano

Ellie Laugharne

Polissena

Wallis Giunta

Tigrane

Mezzo-soprano

Liv Redpath

Zenobia

Aubrey Allicock

Others

Philharmonia Baroque Orchestra & Chorale

italiera

Stanford

United States

Bing Concert Hall

Public

ingelesa

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Contralto

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

London’s West End is nowadays all about blockbuster musicals by a few household names, and in many ways that’s nothing new. Back in the 1700s it was dominated by none other than George Frideric Handel, the preeminent musical impresario of his day, notching up 50 operas, and always adapting his music and casting to ensure popular appeal.

Radamisto was a hit upon its 1720 premiere, and went on to even greater success in a 1728 rewrite, which starred Italian castrato Senesino, rumored to be paid the huge sum of £2,000 for the engagement, over $300,000 in today’s money!

As an ‘opera seria,’ Handel focused on giving famed virtuoso singers opportunities to shine via complex showy arias, and for these performances we haven’t skimped on those virtuosos, with star countertenor Iestyn Davies (former star of Farinelli on Broadway), joining us alongside a cast of truly exquisite voices.

We honor Handel’s intended ‘wow factor’ of Radamisto with a new staging by Christophe Gayral, a familiar name in some of Europe’s most prestigious opera houses, giving us a fitting close to our 21/22 season.

English

Radamisto by Händel, ol. 22 api. 2022, Noiztik (2022/2022), Zuzendaria Christophe Gayral,, Zuzendaria Richard Egarr, Bing Concert Hall, Stanford, United States

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