Name: Rattle, Uchida And The Lso
Start: 2020-08-30T00:00:00.000Z
End: 2020-08-30T00:00:00.000Z
Location: Royal Albert Hall

Organization

Dyrygent

Simon Rattle

Pianista

Mitsuko Uchida

Piano

Śpiewak

London Symphony Orchestra

Orchestra

Rattle, Uchida And The Lso

Londyn

Wielka Brytania

BBC Proms

Royal Albert Hall

Auditorium

Private

Public

Sacrae symphoniae (arr. E. Crees for brass)

Introduction and Allegro for Strings, op. 47

Sonata Księżycowa

Quasi una fantasia, Op.27 no.1

Dawn

Symphony No. 5 in D Major, IRV 86

Approved

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Kompozytor / -ka

Reżyseria

Libretto

Scenografia

Kostiumy

Choreografia

Reżyseria światła

Taniec

Aktor

Przygotowanie chóru

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Fryzjer

Other

Stage Manager

Chór

Orkiestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Tenor

Singer

Sopran

Mezzosopran

Baryton

Kontralt

Bas - baryton

Kontratenor

Spoken

Głos dziecięcy

Silent

Alto

Continuo

Rattle, Uchida And The Lso: Sacrae symphoniae (arr. E. Crees for brass) Gabrieli, G. (+5 More)

Sir Simon Rattle conducts the London Symphony Orchestra and pianist Mitsuko Uchida in a programme ranging from Elgar to Adès and Gabrieli to Kurtág. The climax is Vaughan Williams’s Fifth Symphony.

Making his 75th appearance at the Proms, Sir Simon Rattle conducts his London Symphony Orchestra in a programme that explores the ideas of dialogue and space. The programme includes a new work by Thomas Adès, Dawn, incorporating a piano into the ensemble, while Elgar’s Introduction and Allegro – written for an all-Elgar concert given by the LSO in 1905 – singles out a string quartet alongside the string orchestra, in the manner of a Baroque concerto grosso. And from the Baroque period come the brass Canzons by Giovanni Gabrieli, the 12 players arranged in separate ‘choirs’ which answer and collide with each other.

Alone at the piano, Mitsuko Uchida performs the famous first movement of Beethoven’s ‘Moonlight’ Sonata, which merges into Kurtág’s … quasi una fantasia … , its title taken from the nickname of the pair of sonatas of which Beethoven’s ‘Moonlight’ is part. Creating an extraordinary sound palette, Kurtág explores ‘instrumental groups dispersed in space’ around the piano.

In his Fifth Symphony Vaughan Williams was deepening the dialogue in his music between the folk and the symphonic. After hearing the work’s first performance – conducted by the composer at the Proms in 1943 – Adrian Boult (himself soon to become a key Proms figure) was prompted to write to Vaughan Williams: ‘Its serene loveliness is completely satisfying in these times and shows, as only music can, what we must work for when this madness is over’ – an observation as relevant today as it was then.

English

Rattle, Uchida And The Lso by Gabrieli, G., Elgar, Beethoven, Kurtág, Adès, Vaughan Williams, od (2020/2020), Dyrygent Simon Rattle, Royal Albert Hall, Londyn, Wielka Brytania

Udział w spektaklu (Obsada & realizacja )

Załoga

Ensemble

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca