It is a classic heroine who will open the program concocted by Grace Durham and Edward Liddall, Ariane abandoned in Haydn's flamboyant monologue, marble makes music. An equally timeless Greece, but more primitive and popular, will respond to him with Ravel's Five Songs . Head for central Europe and its mysteries, with the bewitching Gypsy Melodies of Dvorak, before returning to the Mediterranean coast, this time far from mythological origins, for the distinguished irony of Poulenc and his Lady of Monte-Carlo .