Name: Récital Piano Bruce Liu
Start: 2024-07-26T00:00:00.000Z
End: 2024-07-26T00:00:00.000Z
Location: Eglise de Verbier

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Verbier Festival

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Bruce Liu

Piano

Récital Piano Bruce Liu

Bagnes

Switzerland

Eglise de Verbier

Bruce Liu: Keyboard Sonata in B minor, Hob.XVI:32 Haydn (+6 More)

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Keyboard Sonata in B minor, Hob.XVI:32

Piano Sonata No. 2 in B-flat Minor, op. 35

Variations on "Là ci darem la mano" for piano and orchestra, Op. 2

Suite in D major, RCT 3

Suite in G major, RCT 6

Suite in A minor, RCT 5

Akshay C K

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Published in 1776, Haydn’s Keyboard Sonata No 47 in B minor rarely slips away from anxious, clipped phrasing and minor tonality; even its central B major Menuet has a more troubled central trio. Jagged turbulence is also a defining feature of the first two technically-ferocious movements of Chopin’s 1839 Piano Sonata No 2, albeit punctuated by warmer, nocturne-like sections. Next comes the famous Marche funèbre, which began life in 1837 as a stand-alone piece, before a brief, étude-like presto Finale takes the virtuosity up a further notch, with a swirling bleakness that’s entirely different to the sunny cantabile lyricism heard in the early (1827) theme and variations on ‘Là Cidarem la Mano’ from Mozart’s Don Giovanni. Equally awash with lyric poeticism, sophisticatedly embellished melodic lines and high virtuosity is Rameau’s keyboard music, penned across the first half of the 1720s.

English

Publiée en 1776, la Sonate pour clavier N° 47 en si mineur de Haydn s’éloigne rarement d’un phrasé anxieux et coupé avec une tonalité mineure même son Menuet central en si majeure comporte un trio central plus tourmenté. Les turbulences caractérisent également les deux premiers mouvements, techniquement féroces, de la Sonate pour piano N° 2 de Chopin (1839). Ces mouvements, bien que ponctués de sections plus chaleureuses, évoquent des tonalités nocturnes.
S’ensuit la célèbre Marche funèbre qui voit le jour en 1837 en tant que pièce autonome.
Un bref Presto final, semblable à une étude, vient ensuite élever la virtuosité, ajoutant une morosité déroutante. Cette atmosphère est très différente du lyrisme cantabile ensoleillé présent dans le thème et les variations de « Là ci darem la mano » de Don Giovanni de Mozart en 1827.
La musique pour clavier de Rameau, composée au cours de la première moitié des années 1720, est également empreinte de poésie lyrique, de lignes mélodiques sophistiquées et d’une grande virtuosité.

français

Récital Piano Bruce Liu by Haydn, Chopin, Rameau, ol. 26 uzt. 2024, Noiztik (2024/2024), Eglise de Verbier, Bagnes, Switzerland

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