Name: Resurreccîó de Mahler
Start: 2022-05-27T00:00:00.000Z
End: 2022-05-29T00:00:00.000Z
Location: L'Auditori

Organization

Conductor

Kazushi Ōno

Singer

Mezzo-soprano

Mihoko Fujimura

Soprano

Lydia Teuscher

L'Auditori

Orchestra

Orquesta Sinfónica de Barcelona y Nacional de Cataluña

Resurreccîó de Mahler

Barcelona

Spain

Resurreccîó de Mahler: Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Bass

Contralto

Baritone

Countertenor

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

In the colossal Resurrection Symphony , Gustav Mahler starts from the vast orchestral ensemble used on Titan to broaden it with the introduction of the human voice, with the use of soloists and choir, a feature that will be characteristic of his later symphonies. It is also the first work in which Mahler uses texts from the collection Des Knaben Wunderhorn: Alte deutsche Lieder (The Magic Horn of Youth: Old German Songs), a set of traditional German poems and songs compiled in 1805 and which it became an inexhaustible source of resources for its production.
The symphony was initially conceived as a one-movement symphonic poem of a funeral nature. Later, following the death of conductor Hans von Bülow, the composer introduced four more movements to erect a monumental symphonic construction on death, the memory of happiness, the loss and recovery of faith, and finally the resurrection through love in the hands of God.

English

Resurreccîó de Mahler by Various, Κυρ 29 Μαι 2022, Aπό (2022/2022), αγωγός Kazushi Ōno, L'Auditori, Barcelona, Spain

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