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Richard Coeur de Lion (Richard the Lionheart), Grétry
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Richard the Lionheart by Grétry, 금 11 10월 2019, 에서 (2019/2019), 감독 Marshall Pynkoski, 지휘자 Hervé Niquet, Opéra Royal, Versailles, France

출연진 및 제작진 보기 11 10월 2019

깁스

승무원

  • Set designer

    AF

    (2019 10월 10, 11, 12, 13; 2022 5월 04, 20)

  • Costume designer

    CA

    (2019 10월 10, 11, 12, 13; 2022 5월 04, 20)

  • Lighting designer

    HG

    (2019 10월 10, 11, 12, 13; 2022 5월 04, 20)

  • Chorus master

    EG

    (2019 10월 10, 11, 12, 13; 2022 5월 04, 20)

앙상블

  • 오케스트라

    LC

    (2019 10월 10, 11, 12, 13; 2022 5월 04, 20)

  • 발레 또는 댄스 그룹

    LB

    (2019 10월 10, 11, 12, 13; 2022 5월 04, 20)

  • 다른

    LC

    (2019 10월 10, 11, 12, 13; 2022 5월 04, 20)

An imprisoned King, his knights who want to free him and sing their loyalty to him, a famous air "Ô Richard Ô mon Roi" sung in the Royal Opera by the Gardes du Corps of Louis XVI during their banquet on October 1, 1789, for salute Marie-Antoinette and the King, unleashing vengeance and bringing the crowd to Versailles, which forces the royal family to leave the castle on October 6, never to return... It's the end of Versailles and its Royal Opera . To celebrate its two hundred and fifty years, here is the return to the stage of the famous Richard Cœur de Lion (1784) by Grétry, the best-known 18th century French comic opera in Europe for a century... disappeared from the sets for decades ! Hervé Niquet and Marshall Pynkoski are working on this doubly historic task. This "anniversary" project voluntarily places the action under the reign of Louis XVI and Marie-Antoinette, with whom the era easily identified the heroes of Grétry's opera: he was also a regular at the Opera Royal since the performance of Cephalus and Procris in 1773. The sets reproduce the style of the painted canvases and frames typical of the construction of the Royal Opera, the costumes are those of pre-revolutionary France (and no longer of the Middle Ages evoked in the creation), the staging giving to hear the rich text of Sedaine quickly become famous. If Grétry was Marie-Antoinette's most appreciated composer, his "Richard" is both the culmination of a career, the announcement of an artistic style that romanticism will seize, but also the powerful historical mark of a dying era. Here is the opportunity to bring opera back into the great history of Versailles and France. And here is also the first complete production of the Royal Opera of Versailles since 1789!
정보는 다음에서 확인할 수 있습니다.: English
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