Name: Rienzi, der letzte der Tribunen
Start: 2013-08-01T00:00:00.000Z
End: 2013-08-01T00:00:00.000Z
Location: Théâtre du Capitole

Organization

Conductor

Pinchas Steinberg

Stage director

Jorge Lavelli

Set designer

Ricardo Sánchez Cuerda

Costume designer

Francesco Zito

Lighting designer

Roberto Traferri

Singer

Tenor

Torsten Kerl

Rienzi

Soprano

Marika Schönberg

Irene

Bass

Richard Wiegold

Steffano Colonna

Mezzo-soprano

Daniela Sindram

Adriano

Stefan Heidemann

Paolo Orsini

Robert Bork

Kardinal Orvieto

Marc Heller

Baroncelli

Leonardo Neiva

Cecco del Vecchio

Jennifer O'Loughlin

Friedensbote

Chorus master

Alfonso Caiani

Opéra national du Capitole

Others

Chœur de l’Opéra national du Capitole

Coro dell'Accademia Teatro alla Scala

Orchestra

Orchestre National du Capitole de Toulouse

alemana

Rienzi, der letzte der Tribunen

Toulouse

France

Théâtre du Capitole

Rienzi, one of Wagner’s masterpieces, has been a major success at the Théâtre du Capitole in Toulouse in recent years. For this production, the lyric theatre called upon renowned producer Jordi Lavelli and tenor Torsten Kerl. The Orchestre National du Capitole is conducted by Pinchas Steinberg.

Wagner composed Rienzi in Dresden in 1842 after reading the novel Rienzi, the Last of the Roman Tribunes (1835) by Edward Bulwer-Lytton. Aside from Richard Wagner and Edward Bulwer-Lytton, Cola di Rienzo, a famous historical figure, also inspired playwrights François Laignelot and Mary Russell Mitford. Rienzo, a young Roman in the 14th century, stood up to corruption in Rome's upper classes, to the point where the people acclaimed him as their new tribune. This incredible journey seems to be designed to be made into a tragedy, a novel or an opera. When Wagner adapted the story of this medieval hero, he was young and still seeking his own style; after Die Feen and Das Liebesverbot, Rienzi is the composer's first opera.

Jordi Lavelli's staging is modern, unlike the sumptuous 19th-century grand opera, and the scenery is simple. By limiting himself to the essential, Lavelli restores the force of this long score and puts the singers in the spotlight. In this setting, Torsten Kerl's intelligent singing style shines.

Public

frantsesa

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Composer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Sound designer

Stage Manager

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Baritone

Bass-baritone

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

Championing love and personal heroism in the face of ecclesiastical oppression and political chicanery, Wagner's third opera explores characteristic themes with terrific energy which culminates in the eponymous Roman tribune's famous
prayer to the gods of his fatherland, followed by a riot which prefigures the young composer's own abortive career as a firebrand and revolutionary. Within the timeless and elegant minimalism of Jorge Lavelli's production, Torsten Kerl brings ringing authority to the title role, supported by the experienced Wagnerian Pinchas Steinberg.

Wagner: RIENZI (Theatre du Capitole, Toulouse)

Championing love and personal heroism in the face of ecclesiastical oppression and political chicanery, Wagner’s third opera explores characteristic themes with terrific energy which culminates in the eponymous Roman tribune’s famous prayer to the gods of his fatherland, followed by a riot which prefigures the young composer’s own abortive career as a firebrand and revolutionary. Within the timeless and elegant minimalism of Jorge Lavelli’s production, Torsten Kerl brings ringing authority to the title role, supported by the experienced Wagnerian Pinchas Steinberg.

English

Rienzi, der letzte der Tribunen by Wagner, Richard, og. 01 abu. 2013, Noiztik (2013/2013), Zuzendaria Jorge Lavelli,, Zuzendaria Pinchas Steinberg, Théâtre du Capitole, Toulouse, France

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