Name: Rigoletto
Start: 2020-12-24T00:00:00.000Z
End: 2021-03-24T00:00:00.000Z
Location: Sapaev Mari State Opera and Ballet Theatre

Organization

Libretista

Francesco Maria Piave

Maestro

Григорий Архипов

Diretor de Palco

Sergey Shepelev

Mestre de Coro

Olga Zhilinskaya

Designer de Iluminação

Nikolay Anisimov

Designer de Vídeo

Maxim Yakimov

Cantor

Barítono

Vladislav Kalashnikov

Rigoletto

Soprano

Alena Fialeková

Gilda

Valeria Balandina

Tenor

Dmitry Semkin

O Duque de Mântua

Baixo

Ilnar Davletshin

Sparafucile

Contralto

Ekaterina Odaikina

Maddalena

Сергей Гарашкин

Marullo

Alexey Chistyakov

Matteo Borsa

O Conde de Ceprano

Mezzo-soprano

Anastasia Ershova

Um pajem

Sapaev Mari State Opera and Ballet Theatre

Yoshkar-Ola

Rússia

The Classical Ballet and Opera House presents 
Opera Rigoletto performed by National Opera and Ballet Theatre of Mari El. Music by Giuseppe Verdi.

Rigoletto is one of Verdi's most famous works. The action of the opera is based on sharp dramatic contrasts. At the center of it is a sharp psychological drama that comprehensively outlines the image of Rigoletto — a sarcastic court jester, a tender, deeply suffering father, a formidable avenger. He is confronted by a frivolous and depraved duke, outlined against the background of court life. Spiritual purity, selfless devotion are personified in the image of the young Gilda.

These contrasting characters are vividly, with a remarkable wealth of psychological nuances, embodied in the music of the opera.

CAST

Rigoletto - Vladislav KALASHNIKOV
Gilda - Alina POLEVAYA
The Duke - Dmitry SEMKIN
Sparafucile - Ilnar DAVLETSHIN
Maddalena - Ekaterina ODAYKINA
Giovanna - Irina KOSTENKO
Count of Monterone - Anatoly MIKHAILOV
Marullo - Sergey GARASHKIN
Borsa - Alexey CHISTYAKOV
Count Cheprano - Ilnar DAVLETSHIN
Countess Cheprano - Tatiana TOLSTOLUZHSKAYA
Page - Anastasia YERSHOVA
Courtiers, servants - choir artists

The Orchestra under the direction of the chief conductor Grigory Arkhipov.

Rigoletto Verdi

Public

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Som

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

Maquiador

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baixo-barítono

Contratenor

Alto

Continuo

Silent

Spoken

Vocalista Infantil

The plot of the opera is based on V. Hugo's drama The King Amuses himself, written in 1832. After the first performance in Paris, which caused a political demonstration, it was banned as undermining the authority of the royal power. 

Hugo's dramaturgy attracted Verdi with bright romantic contrasts, a violent clash of passions, freedom-loving pathos, and a tense, dynamic development of the action. Verdi considered the plot of Rigoletto to be the best of all that he set to music: “There are strong situations, diversity, brilliance, pathos here. All events are due to the frivolous and empty character of the duke; Rigoletto's fears, Gilda's passion, etc. create wonderful dramatic episodes. The composer interpreted the images of Hugo in his own way, which caused a protest from the writer. In a historical drama with large mass scenes and numerous details of the life and life of the court of Francis I (1515-1547), G. Verdi was first of all very interested in the psychological drama.

All sorts of pointers to King Francis the First were deleted from the plot, mass scenes were reduced and political overtones were minimized. The author of the drama V. Hugo was against such changes, but Verdi remained adamant. He was more interested in a romantic plot, rather than a political game, and it was the jester, and not the reveler king, who acted as the main character. However, in some ways the composer had to give in. When the opera was finished, not a single theater agreed to accept it in this form, everyone demanded to urgently change the names of the characters so that there would be no hints of famous personalities. Verdi had to agree after long refusals from almost all theaters in the world. Only when Francis I was transformed into the Duke of Mantua, and his jester Triboulet into Rigoletto, the composer received consent to the production.

The long-awaited premiere of the performance took place in Venice on March 11, 1851. The audience very warmly accepted another masterpiece of the brilliant composer. 

Rigoletto is one of Verdi's most famous works. The action of the opera is based on sharp dramatic contrasts. In the center of it is a sharp psychological drama that multilaterally outlines the image of Rigoletto - a caustic court jester, a tender, deeply suffering father, a formidable avenger. He is opposed by the frivolous and depraved duke, depicted against the backdrop of court life. Spiritual purity, selfless devotion are personified in the image of the young Gilda.

These contrasting characters are embodied in the music of the opera with a remarkable richness of psychological nuances.

English

Rigoletto by Verdi, qui 24 dez 2020, De (2020/2021), Dirigido por Sergey Shepelev,, Regente Григорий Архипов, Sapaev Mari State Opera and Ballet Theatre, Yoshkar-Ola, Rússia

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos