Organization

Varna Summer

Singer

Mezzo-soprano

Faith Zhelezova

Giovanna

Baritone

Ivo Yordanov

Marullo

Plamen Dimitrov

Rigoletto

Tenor

Christo Ganevski

Matteo Borsa

Soprano

Irina Zhekova

Gilda

Bass

Eugeniy Stanimirov

Sparafucile

Contralto

Mihaela Berova

Maddalena

Lyudmil Petrov

The Count of Monterone

Petar Petrov

The Count of Ceprano

Lachezara Georgieva

A page

Stage director

Srebrina Sokolova

Conductor

Grigor Palikarov

Valeriy Georgiev

The Duke of Mantua

Rozalia Zhelyazkova

The Countess of Ceprano

Ilko Zahariev

A court usher

Costume designer

Nela Stoyanova

Set designer

Video designer

Todor Todorov

Choreographer

Svetlana Tonsheva

Chorus master

Tsvetan Krumov

Assistant Director

Dimitar Levicharov

Accompanists

Sosi Chifchiyan

Ruslan Pavlov

Daniel Damyanov

State Opera Varna

Others

Choir of the Varna State Opera

Orchestra

Orchestra of the Varna State Opera

Ballet

Varna State Opera

Varna

Bulgaria

Summer Theatre

Rigoletto Verdi

Public

Private

Approved

ARSENIY ARSOV - ELLA MI FU RAPITA - RIGOLETTO - 08. APRIL - 2016 -VARNA STATE OPERA.CONDUCTOR - VILIANA VALCHEVA

ARSENIY ARSOV - ELLA MI FU RAPITA - RIGOLETTO - 08. APRIL - 2016 -VARNA STATE OPERA.

"From the very beginning, when I started working on Rigoletto, I decided that the main topic I would touch on was the mask. The mask that everyone puts in front of the society and which makes it a part of this society, but to what extent this mask is a part of ourselves ... Is it a sign of our negative nature, does it change us or maybe even degenerate us ... And if we have come to terms with the mask, if we have accepted it, even though it is not so close to our essence, what are the consequences ... We want to tell all this with our "Rigoletto". Because Rigoletto is not just the title, but the story of Rigoletto, who has agreed to be a jester. Under the guise of a jester, he witnesses daily things that he himself denies. Rigoletto has other values ​​and jealously guards them. This idea is given through the action, the mise-en-scène, the scenography, the costumes, mapping - the duality of the character is evident everywhere. The controversy eventually led to the great tragedy of Rigoletto, which led to the murder of his daughter.

English

Výkonnostní kredity (Obsazení a štáb )

Obsazení

Osádka

Soubor

Koproducent