Organization

Reżyseria

Mario Martone

Dyrygent

Michele Gamba

Reżyseria światła

Pasquale Mari

Kostiumy

Ursula Patzak

Scenografia

Margherita Palli

Choreografia

Daniela Schiavone

Śpiewak

Tenor

Piero Pretti

Książę Mantui

Baryton

Amartuvshin Enkhbat

Rigoletto

Sopran

Nadine Sierra

Gilda

Gianluca Buratto

Sparafucile

Kontralt

Marina Viotti

Maddalena

Fabrizio Beggi

Monterone

Przygotowanie chóru

Alberto Malazzi

Mezzosopran

Andrea Pellegrini

Hrabina Ceprano

Costantino Finucci

Marullo

Francesco Pittari

Borsa

Mara Gaudenzi

Paź

Rosalia Cid

Teatro alla Scala

Others

Coro del Teatro alla Scala

Orchestra

Orchestra del Teatro alla Scala

włoski

Mediolan

Włochy

Discover Verdi’s masterpiece Rigoletto in this new production by Mario Martone at La Scala in Milan, with a fabulous cast of singers including Nadine Sierra, Piero Pretti, and Amartüvshin Enkbath in the lead roles, with the hall’s legendary orchestra conducted by Michele Gamba.

Verdi was 38 when he composed his seventeenth opera Rigoletto, the first part of his “popular trilogy” with Il Trovatore and La Traviata. The story, based on Victor Hugo’s play Le Roi s’amuse, narrates the love affairs of the Duke of Mantua, cheered on by his jester, Rigoletto. The opera is a masterpiece in its own right, not only due to the many difficulties it faced in production (including state censorship), but above all because of its artistic qualities: masterfully clear orchestral writing, pointed musical and psychological characterization (even of secondary characters), melodic innovation, dramatic cohesion…Rigoletto marks an evolutionary step in the oeuvre of Verdi, who began to see the scene, rather than the aria, as the fundamental building block of his musical dramas, making the operatic experience more salient and free-flowing.

Photo: Nadine Sierra © Cyr Merri

Discover Verdi’s masterpiece Rigoletto in this new production by Mario Martone at La Scala in Milan, with a fabulous cast of singers including Nadine Sierra, Piero Pretti, and Amartüvshin Enkbath in the lead roles, with the hall’s legendary orchestra conducted by Michele Gamba.

Verdi was 38 when he composed his seventeenth opera Rigoletto, the first part of his “popular trilogy” with Il Trovatore and La Traviata. The story, based on Victor Hugo’s play Le Roi s’amuse, narrates the love affairs of the Duke of Mantua, cheered on by his jester, Rigoletto. The opera is a masterpiece in its own right, not only due to the many difficulties it faced in production (including state censorship), but above all because of its artistic qualities: masterfully clear orchestral writing, pointed musical and psychological characterization (even of secondary characters), melodic innovation, dramatic cohesion… Rigoletto marks an evolutionary step in the oeuvre of Verdi, who began to see the scene, rather than the aria, as the fundamental building block of his musical dramas, making the operatic experience more salient and free-flowing.

Public

Approved

Recenzje