Name: Rigoletto
Start: 2022-02-11T00:00:00.000Z
End: 2022-03-03T00:00:00.000Z
Location: Staatsoper Unter den Linden

Organization

Festtage Berlin

Tenor

Saimir Pirgu

The Duke of Mantua

Baritone

Christopher Maltman

Rigoletto

Soprano

Erin Morley

Gilda

Bass

Grigory Shkarupa

Sparafucile

Contralto

Marina Prudenskaya

Maddalena

Mezzo-soprano

Ema Nikolovska

Giovanna

Adam Kutny

The Count of Monterone

Carles Pachon

Marullo

Spencer Britten

Matteo Borsa

Benjamin Chamandy

The Count of Ceprano

Clara Nadeshdin

The Countess of Ceprano

A court usher

A page

Stage director

Bartlett Sher

Conductor

Ivan Repušić

Lighting designer

Donald Holder

Costume designer

Catherine Zuber

Set designer

Michael Yeargan

Andrei Danilov

State Opera Berlin

Orchestra

Staatskapelle Berlin

Others

Staatsopernchor Berlin

State Opera Chorus

이탈리아어

Berlin

Germany

Staatsoper Unter den Linden

Rigoletto Verdi

Public

독일어

영어

Approved

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

Oboist

hornist

Bassoonist

Trumpeter

Contrabassist

Harper

Trombonist

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Librettist

Choreographer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Illustrator

Extra

Singer

Countertenor

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

RIGOLETTO | Spielzeit 2018/19 | Melodramma in drei Akten (1851) | Musik von Giuseppe Verdi | Text von Francesco Maria Piave nach dem Melodrama »Le roi s’amus...

RIGOLETTO | Staatsoper Unter den Linden

When Victor Hugo performed his play "Le roi s'amuse" for the first and, for the time being, last time in Paris in 1832, the performance ended with the play being banned immediately. When Giuseppe Verdi, the composer of the Italian Risorgimento, was preparing to set the play by the revolutionary-minded French writer to music, he too encountered resistance from the censorship authorities almost 20 years later.

Although he had to rename his melodramma from “La maledizione” (“The Curse”) to “Rigoletto” and relocate the setting to the court of a fictional duke of Mantua, he left the plot and its crassness untouched: Rigoletto donated the rampant duke constantly seducing and kidnapping beautiful women and has nothing but ridicule for their families. He is cursed in front of the entire court by the desperate father of one of the dishonored. However, Rigoletto keeps his daughter Gilda hidden from the shameless hustle and bustle. Even so, the Duke has already had an eye on her. When Gilda succumbs to the Duke's arts of seduction, Rigoletto forges a deadly plan of revenge, in which in the end it is not the Duke but his own daughter who falls victim. The well-known tenor hit »La donna è mobile« becomes the cynical code of failure. In Verdi's first work during the period of maturity, the trivial as well as the grotesque and high pathos are mutually dependent. The contrasts of garish banda music and the most expressive cantilenas form an uncompromising masterpiece that bursts over the audience with tremendous conciseness and sharpness.

English

Als Victor Hugo 1832 in Paris sein Stück »Le roi s’amuse« zum ersten und vorerst letzten Mal auf die Bühne brachte, endete die Aufführung mit dem sofortigen Verbot des Stücks. Als sich Giuseppe Verdi, der Komponist des italienischen Risorgimento, anschickte, das Stück des revolutionär gesinnten französischen Schriftstellers zu vertonen, stieß auch er noch knapp 20 Jahre später auf den Widerstand der Zensurbehörden.

Zwar musste er sein Melodramma von »La maledizione« (»Der Fluch«) in »Rigoletto« umtaufen und den Schauplatz an den Hof eines fiktiven Herzogs von Mantua verlegen, doch ließ er die Handlung und ihre Krassheit unangetastet: Rigoletto stiftet den zügellosen Herzog zu ständigen Ver- und Entführungen schöner Frauen an und hat für deren Familien bloß Spott übrig. Vom verzweifelten Vater einer der Entehrten wird er dafür vor dem gesamten Hof verflucht. Seine Tochter Gilda hält Rigoletto jedoch vor dem schamlosen Treiben verborgen. Trotzdem hat der Herzog bereits ein Auge auf sie geworfen. Als Gilda den Verführungskünsten des Herzogs erliegt, schmiedet Rigoletto einen tödlichen Racheplan, dem am Ende nicht der Herzog, sondern die eigene Tochter zum Opfer fällt. Zur zynischen Chiffre des Scheiterns wird ausgerechnet der allbekannte Tenorschlager »La donna è mobile«. In Verdis erstem Werk der Reifezeit bedingen sich so Triviales wie Groteskes und hohes Pathos gegenseitig. Die Kontraste aus greller Bandamusik und expressivsten Kantilenen formen ein kompromissloses Meisterwerk, das in ungeheurer Knappheit und Schärfe über das Publikum hereinbricht.

Deutsch

Rigoletto by Verdi, 목 24 2월 2022, 에서 (2022/2022), 감독 Bartlett Sher,, 지휘자 Ivan Repušić, Staatsoper Unter den Linden, Berlin, Germany

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승무원

앙상블

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프로그램, 소개 및 시놉시스

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