Name: Rigoletto
Start: 2022-03-03T00:00:00.000Z
End: 2022-03-13T00:00:00.000Z
Location: Palais Opéra

Organization

Śpiewak

Baryton

Amartuvshin Enkhbat

Rigoletto

Reżyseria

John Turturro

Dyrygent

Daniel Oren

Scenografia

Francesco Frigeri

Kostiumy

Marco Piemontese

Tenor

Iván Guillermo Ayón Rivas

Książę Mantui

Reżyseria światła

Alessandro Carletti

Choreografia

Giuseppe Bonanno

Przygotowanie chóru

Denis Segond

Rubén Amoretti

Sparafucile

Kontralt

Sarah Laulan

Maddalena

Mezzosopran

Caroline De Mahieu

Giovanna

Patrick Bolleire

Monterone

Alexander Marev

Borsa

Margaux de Valensart

Hrabina Ceprano

Sebastian Catana

Sopran

Enkeleda Kamani

Gilda

Ivan Thirion

Marullo

Benoît Delvaux

Hrabia Ceprano

Benoît Scheuren

Dowódca straży

Giuseppe Gipali

Jodie Devos

Lucie Kaňková

Opéra Royal de Wallonie - Liège

Teatro Massimo di Palermo

Others

Choeur de l'Opéra Royal de Wallonie-Liège

Choeur du Conservatoire Royal de Liège

Orchestra

IMEP

Royal Opera of Wallonia Orchestra

włoski

Liège

Belgia

Palais Opéra

Public

Approved

" Oh ! The King is having fun is the greatest story and perhaps the most beautiful drama of modern times. Triboulet is a character worthy of Shakespeare! So shake up Venice from top to bottom and get the censorship to accept the subject. "- VERDI, LETTER TO PIAVE, MAY 8, 1850

The immense success of Rigoletto when it was founded in 1851 has never been denied since. An absolute masterpiece, this is indeed, as Verdi foresaw, an inescapable drama to be seen and re-examined without moderation! First part of the “Popular Trilogy” shortly before La Traviata and Il Trovatore , Rigoletto, according to Victor Hugo, was the object of a rejection by the intractable Venetian censorship forcing librettist and composer to completely review their work. This passionate masterpiece where hatred, violence, love, curse and revenge come together, distills sublime music, the first part of a new style combining theatrical realism and melodic seduction. The famous aria, “La Donna è mobile”, is only the tip of the iceberg and the hits are happily linked throughout the work. Aware of the effectiveness of his melodies and to avoid plagiarism, Verdi had even forbidden the singers to hum them outside the theater ...

English

Udział w spektaklu (Obsada & realizacja )

Obsada

Załoga

Ensemble

Współproducent