Organization

Mostly Mozart

Director(a) de escena

Bartlett Sher

Cantante

Mezzosoprano

Sylvia D'Eramo

La Condesa de Ceprano

Soprano

Erin Morley

Gilda

Edyta Kulczak

Giovanna

Chanáe Curtis

Barítono

Michael Chioldi

Rigoletto

Bajo

Christopher Job

El Conde de Ceprano

Jeongcheol Cha

Marullo

Craig Colclough

El Conde de Monterone

Tenor

Scott Scully

Matteo Borsa

Eve Gigliotti

Catherine Choi

Paje de la Duquesa

Yohan Yi

Un ujier

Director(a) coral

Donald Palumbo

Piotr Beczała

Duque de Mantua

Stephen Costello

Quinn Kelsey

Rosa Feola

Kristina Mkhitaryan

Andrea Mastroni

Sparafucile

Ante Jerkunica

Contralto

Varduhi Abrahamyan

Maddalena

Yulia Matochkina

Director(a) orquestal

Daniele Rustioni

Karel Mark Chichon

Diseñador(a) de iluminación

Donald Holder

Diseñador(a) de vestuario/Figurinista

Catherine Zuber

Escenógrafo(a)

Michael Yeargan

Jonathan Scott

Adriana Chuchman

Karen Kamensek

The Metropolitan Opera

Others

Metropolitan Opera Choir

Orchestra

Metropolitan Opera Orchestra

Lincoln Center

italiano

Nueva York

Estados Unidos

Metropolitan Opera House

One of opera’s grimmest tragedies received a powerful new production during the 2021–22 season when director Bartlett Sher unveiled his Weimar-era staging of Verdi’s Rigoletto. In this performance, recorded as part of the company’s Live in HD series of cinema transmissions, commanding American baritone Quinn Kelsey gives a searing portrayal of the title character, a deformed court jester determined to protect the virtue of his daughter, Gilda, sung by radiant soprano Rosa Feola. His debauched employer, the Duke of Mantua, is tenor Piotr Beczała, with dynamic young maestro Daniele Rustioni on the podium to lead a cast that also features bass Andrea Mastroni as the assassin Sparafucile and mezzo-soprano Varduhi Abrahamyan as Maddalena.

Vídeos