Organization

Cantante

Soprano

Eva Bodorová

Elisabetta

Michaela Várady

Barítono

Marián Lukáč

Duque de Nottingham

Marek Gurbal

Mezzosoprano

Elena Maximova

La Duquesa de Notthingham

Myroslava Havryliuk

Tenor

Juraj Hollý

Roberto Devereux

David Astorga

Anton Baculík

Lord Cecil

Maksym Kutsenko

Bajo

Michal Onufer

Sir Gualtiero Raleigh

Martin Kovács

László Havasi

Un criado de Nottingham

Krisztián Kokolusz

Contralto

Un Ujier de Corte

Director(a) de escena

Anton Korenči

Director(a) orquestal

Peter Valentovic

Vinicius Kattah

Diseñador(a) de iluminación

Róbert Farkas

Diseñador(a) de vestuario/Figurinista

Mitzy Von Hoffmann

Escenógrafo(a)

Pavol Juráš

Maestro repetidor

Peter Michalik

Diseñador(a) de video

Jakub Pišek

Bea Kolbašovská

Coreógrafo(a)

Andrej Petrovič

Dramaturgia

Stanislav Trnovský

Director(a) coral

Lukáš Kozubík

Libretto

Salvatore Cammarano

Music production

Accompaniment

Jan Novobilský

Inspector

Viera Hronská

Štátne divadlo Košice

Košice

Eslovaquia

Národné Divadlo Košice (ex Štátne divadlo)

Gaetano Donizetti: ROBERTO DEVEREUX.
Opera Roberto Devereux draws on the theme of English history and is the third opera portrait of Queen Elizabeth I. As the last living daughter of Henry VIII. and Anna Boleyn ascended the English throne in 1558. This prominent figure inspired Gaetano Donizetti for the first time in the opera Elisabetta all castello di Kenilworth, composed on the theme of Walter Scott, in the second musical - dramatic image of Elizabeth according to Schiller's drama confronts it with King Start of Scotland finally, in the third, in Robert Devereux, her dramatic relationship with the Earl of Essex is at the forefront. The score was born at a time of deep crisis in the composer, who lost both parents, the stillborn and the short-lived child, and finally his wife in a short period of time. The premiere took place on October 29, 1837 at the Teatro San Carlo in Naples with great success.

A year later, he prepared a modified version for the Théâtre Italien in Paris, in which the motif of the English anthem God Save the Queen sounds in the prelude. Like most of Belcant's serious operas, Roberto Devereux disappeared from the stage for a while and was not returned until a massive wave of their renaissance in the middle of the last century.

Roberto Devereux Donizetti

Public

Válido

Programa de mano

Más información