Organization

Chanteur

Soprano

Yolanda Auyanet

Elisabetta

Direction d'orchestre

Yves Abel

Mise en scène

Alessandro Talevi

Décors

Madeleine Boyd

Costumes

Lumières

Matthew Haskins

Chorégraphie

Maxine Braham

Baryton

Franco Vassallo

Le Duc de Nottingham

Mezzo-soprano

Nancy Fabiola Herrera

Sara de Nottingham

Ténor

Ismael Jordi

Robert Devereux

Alejandro del Cerro

Lord Cecil

Basse

Javier Castañeda

Sir Gualtiero Raleigh

Contralto

Ricardo Llamas Márquez

Un Page

Un Familier

Teatro Maestranza

Orchestra

Real Orquesta Sinfónica de Sevilla

Others

Choir of the Teatro de la Maestranza

Roberto Devereux -  (Robert Devereux)

Séville

Espagne

Teatro de la Maestranza

Sala Principal

Roberto Devereux Donizetti

Public

Valide

Roberto Devereux

¿Puede un poder terrenal librarnos de la vejez y la muerte? ¿Se puede forzar a alguien a amar a quien no ama? La reina Isabel I de Inglaterra ama a Roberto D...

Bel Canto, ice that scorches

Can some earthly power save us from old age and death? Can one force a person to love someone whom one does not actually love? Queen Elizabeth I of England loves Roberto Devereux. But, he loves another. With her leadership defeated by heartbreak and decrepitude, the queen falters. She sings: “I no longer reign, no longer live...” Passion and palace conspiracies intertwine in Roberto Devereux (1837), a mature opera by Gaetano Donizetti. The final work of his”Tudor Queens” trilogy, the Maestranza concludes its cycle to coincide with the 225th anniversary of the birth of the composer from Bergamo. The opera is based in historical fact but fictionized in an exacerbated romantic tragedy that calls for fevered vocal virtuosity. Canarian Yolanda Auyanet and Jerez tenor Ismael Jordi, a master of Bel canto who returns to our theatre, take on two of the most demanding roles of the repertory. Canadian conductor Yves Abel, is a specialist in Italian opera, having triumphed in Berlin, Vienna or New York. The production comes from the Welsh National Opera and has been a success in important European opera houses.

Runaway passion, political intrigue, jealousy, abuse of authority and revenge. Love and death in Roberto Devereux, zenith of Bel canto, comes to the stage for the first time at the Maestranza.

español

Can some earthly power save us from old age and death? Can one force a person to love someone whom one does not actually love? Queen Elizabeth I of England loves Roberto Devereux. But, he loves another. With her leadership defeated by heartbreak and decrepitude, the queen falters. She sings: “I no longer reign, no longer live...” Passion and palace conspiracies intertwine in Roberto Devereux (1837), a mature opera by Gaetano Donizetti. The final work of his”Tudor Queens” trilogy, the Maestranza concludes its cycle to coincide with the 225th anniversary of the birth of the composer from Bergamo. The opera is based in historical fact but fictionized in an exacerbated romantic tragedy that calls for fevered vocal virtuosity. Canarian Yolanda Auyanet and Jerez tenor Ismael Jordi, a master of Bel canto who returns to our theatre, take on two of the most demanding roles of the repertory. Canadian conductor Yves Abel, is a specialist in Italian opera, having triumphed in Berlin, Vienna or New York. The production comes from the Welsh National Opera and has been a success in important European opera houses.

Runaway passion, political intrigue, jealousy, abuse of authority and revenge. Love and death in Roberto Devereux, zenith of Bel canto, comes to the stage for the first time at the Maestranza.

English

Robert Devereux by Donizetti, Du (2022/2022), Dirigé par Alessandro Talevi,, Chef d'orchestre Yves Abel, Teatro de la Maestranza, Séville, Espagne

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble

Programme, À Propos & Synopsis

Vidéos

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles