Organization

Singer

Tenor

Pavlo Tolstoy

Romeo

Soprano

Victoria Vatutina

Juliet

Baritone

Tomasz Łuczak

Mercutio

Maciej Komandera

Tybalt

Mezzo-soprano

Lucyna Boguszewska

Stephano

Michał Sobiech

Paris

Renata Dobosz

Gertrude

Piotr Zgorzelski

Benvolio

Dawid Dubec

Gregory

Bass-baritone

Janusz Lewandowski

Count Capulet

Zbigniew Wunsch

Laurent's father

Jadwiga Krowiak

Queen Mab

Maria Malinowska

Inspector

Stage director

Michal Znaniecki

Conductor

Franck Chastrusse Colombier

Lighting designer

Bogumił Palewicz

Costume designer

Set designer

Luigi Scoglio

Choreographer

Elżbieta Szlufik-Pańtak

Grzegorz Pańtak

Chorus master

Małgorzata Bornowska

Opera na Zamku

Others

Chór Opery na Zamku

Orchestra

Orkiestra Opery na Zamku

Ballet

Balet Opery na Zamku

Fraincis

Roméo et Juliette -  (Romeo and Juliet)

Szczecin

Poland

Roméo et Juliette Gounod

Public

Romeo and Juliet

Polainnis

Approved

I did not want to update this tragedy. I thought that it would not be the most important thing for me, but rather Shakespeare himself, that is, theatricality and theater in theater (...)

Gounod's adaptation is ironically said to be "four love duets with additions." The duets are very well written, so I decided to focus on what was going on between them. constant deaths, fights against each other and daily feuds (...).

The divisions can be seen in the costumes of the feuding families: the Capers are a group that has money and power, which makes it look more neat, drawn with one line when it comes to costumes, also in color. The Montekich group is a more run-down family whose glory is now past and it shows too. Capillaries wear beautiful Elizabethan ruffles, they are dressed in white, while Romeo's group is rude, has moldy collars, lost ruffles symbolizing its fall (...).

The balcony, garden and chapel are iconographic places closely related to the whole history (...). In our wooden theater interior, stylized as "The Globe" with galleries and windows, the element pointing to the garden will be a wooden tree. It must be remembered that neither Shakespeare nor Gounod tried to tell a documentary story, hence the emphasis on symbols (...).

At the end of the opera, however, the heroes ask God for forgiveness. It is only an underlining of the purity of their intentions, but of a childish innocence that cannot win against the cruel world around us of these great and everyday wars.
Michał Znaniecki, director

English

Drodzy Widzowie,
informujemy, że ze względu na obowiązujące od 15 grudnia 2021 r. obostrzenia i limity miejsc, możemy prowadzić sprzedaż biletów online wyłącznie dla osób z certyfikatami COVID-19 (certyfikaty dot. szczepień lub przebytej infekcji COVID-19 lub wykonania testu na obecność SARS-CoV-2). Osoba, która zajmie wskazane na bilecie miejsce, zobowiązuje się posiadać jeden z ww. certyfikatów podczas wydarzenia w postaci możliwej do weryfikacji za pomocą aplikacji Skaner Certyfikatów COVID, by przedstawić go do ewentualnej kontroli stosownym służbom. Prosimy pamiętać o obowiązku zachowania dystansu społecznego oraz zakrywania ust i nosa podczas pobytu w operze.

polski

Romeo and Juliet by Gounod, Ó (2022/2022), Faoi stiúir Michal Znaniecki,, Seoltóir Franck Chastrusse Colombier, Opera na Zamku, Szczecin, Poland

Creidmheasanna feidhmíochta (Cast & Crew )

Caitheadh

Criú

Ensemble

Clár, Eolas & Achoimre

Grianghraif

Tuilleadh léitheoireachta

Dátaí & Ionaid Feidhmíochta

Ionaid