Name: “royal” Handel!
Start: 2022-04-02T00:00:00.000Z
End: 2022-04-02T00:00:00.000Z
Location: Auditorium du Conservatoire

Organization

Śpiewak

Mezzosopran

Eva Zaïcik

Ensemble

Justin Taylor

Atelier Lyrique de Tourcoing

Orchestra

Le Consort

“royal” Handel!

Tourcoing

Francja

Auditorium du Conservatoire

Public

Koncert

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Chefdirigent Musiktheater

Choreografia

Chorus Director

Chór

Dramaturgia

Dyrygent

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Tenor

Sopran

Kontratenor

Baryton

Bas - baryton

Kontralt

Alto

Continuo

Głos dziecięcy

Silent

Spoken

London, February 1719: the birth of the Royal Academy of Music. George Frideric Handel was appointed musical director. German-born Handel, having spent four years in Italy, wanted to make London the new capital of opera.  The only language to be sung on the stage of the King’s Theatre was to be Italian, and two other composers, Attilio Ariosti and Giovanni Battista Bononcini, were imported from the Italian peninsula. Both men were string players and contributed a new instrumental sweep to the company.
Public enthusiasm reached considerable heights: thirty-four operas – more than 460 performances in all – were given at the Royal Academy over a period of nine years. Handel premiered his masterpieces Giulio Cesare in Egitto, Ottone and Radamisto. Ariosti and Bononcini also enjoyed great success between 1720 and 1723, notably with Coriolano (Ariosti) from which the sublime aria ‘Sagri numi’ is taken.  ‘Royal Handel’ is a musical portrait of the first Royal Academy of Music. Eva Zaïcik and her partners in Le Consort celebrate the prodigious variety of the Handelian genius and introduce us to previously unrecorded arias by Ariosti and Bononcini: ‘We are captivated by the ghostly sonorities of “Stille amare”, the engulfing fury of “Agitato da fiere tempeste”, the virtuosity of “Gelosia, spietata Aletto”, the swirling excitement of “L’aure che spira”, the ascetic counterpoint of “Ombra cara” and the poignancy of “Deggio morire”.’

'Royal Handel' by Eva Zaïcik & Le Consort [EPK]

London, February 1719, birth of the Royal Academy of Music. Georg Friedrich Handel is appointed musical director. Originally from Halle, having spent four years in Italy, Handel wants to make London the new capital of opera.

The enthusiasm is considerable: 34 operas and more than 460 performances will be given in nine years at the Royal Academy. Handel creates his masterpieces Giulio Cesare in Egitto , Ottone and Radamisto there . Two Italian composers, Ariosti and Bononcini, also enjoyed great success in London between 1720 and 1723, notably with Coriolano (Ariosti) and his sublime aria Sagri numi . ROYAL HAENDEL is a musical portrait of the first Royal Academy of Music. Eva Zaïcik and her accomplices of the Consort celebrate the prodigious variety of Handelian genius and make us discover new arias by Ariosti and Bononcini.

English

“royal” Handel! by Various, od (2022/2022), Auditorium du Conservatoire, Tourcoing, Francja

Udział w spektaklu (Obsada & realizacja )

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