Organization

Heidelberger Schlossfestspiele

Direction d'orchestre

Leo McFall

Paul Taubitz

Mise en scène

Axel Vornam

Décors

Tom Musch

Costumes

Cornelia Kraske

Video

Stefan Bischoff

Chorégraphie

Eric Rentmeister

Direction de choeur

Michael Pichler

Dramaturgie

Ulrike Schumann

Chanteur

Ténor

Chaz'men Williams-Ali

Le Prince

Soprano

Magdalena Anna Hofmann

La Princesse

Alyona Rostovskaya

Rusalka

Basse

Wilfried Staber

Vodník

Zlata Khershberg

Le cuistot

Almerija Delic

Ipča Ramanović

Le garde forestier

Baryton

Le chasseur

Katarina Morfa

Deuxième nymphe

Mezzo-soprano

Kylee Slee

Troisième nymphe

Elina Junghyun Kim

Première nymphe

Others

Choir of the Heidelberg Theater

Orchestra

Heidelberg Theater and Orchestra

tchèque

Heidelberg

Allemagne

Theater Heidelberg

Public

allemand

Valide

The longing for the other, for the water woman Rusalka this means: living and feeling with a human soul, feeling solid ground under two feet and being loved.
This longing causes Rusalka to enter into a fateful deal with the witch Jezibaba. As a human child, she is allowed to follow the prince she desires, but loses her voice as a result. But without a voice of her own, Rusalka remains an outsider, and it doesn't take long for the prince to turn to another woman...
In the beginning there was an opera text. The Czech poet and dramaturge Jaroslav Kvapil wrote it in 1899 after a holiday on the Baltic Sea island of Bornholm, adapting a fairy tale popular in the 19th century for the big stage. Antonín Dvořák (1841–1904), who by then had already composed eight major operas, used them to create his masterpiece, which continues to delight audiences around the world to this day.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble