Admin

Opernhaus Zürich

Orchestra

The Orchester der Oper Zürich

Dyrygent

Dyrygent (+3)

Simone Young

Reżyseria

Reżyseria (+2)

Andreas Homoki

Scenografia

Scenografia (+1)

Hartmut Meyer

Kostiumy

Mechthild Seipel

Reżyseria światła

Reżyseria światła (+3)

Franck Evin

Asystent choreografa

Arturo Gama

Dramaturgia

Dramaturgia (+1)

Claus Spahn

Tenor (+1)

John Daszak

Herod

Mezzosopran (+2)

Michaela Schuster

Herodiada

Sopran (+2)

Elena Stikhina

Salome

Bas - baryton (+3)

Kostas Smoriginas

Jochanaan

Tenor (+3)

Omer Kobiljak

Narraboth

Siena Licht Miller

Paź Herodiady

Nathan Haller

Pierwszy Żyd

Tenor (+2)

Raúl Gutiérrez

Christian Sturm

Tenor

Daniel Norman

Drugi Żyd

Christopher Willoughby

Xuenan Liu

Tenor (+5)

Martin Zysset

Trzeci Żyd

Tomislav Jukic

Andrejs Krutojs

Andrew Owens

Czwarty Żyd

Álvaro Diana Sanchez

Maximilian Lawrie

Bas (+2)

Lobel Barun

Piąty Żyd

Bas (+4)

Stanislav Vorobyov

Pierwszy Nazarejczyk

Baryton (+1)

Felix Gygli

Drugi Nazarejczyk

Bas (+3)

Valeriy Murga

Pierwszy Żołnierz

Maximilian Bell

Drugi Żołnierz

Opernhaus

Mezzosopran (+3)

Ena Pongrac

Baryton (+4)

Cheyne Davidson

Przybysz z Kapadocji

Niewolnik

Richard Strauss composed his opera Salome in 1905, basing it on the scandalous fin-de-siècle drama of the same name by Oscar Wilde. The world premiere brought him his first international success: the one-act work remains one of the most frequently performed operas in the repertoire today. It combines grand orchestral frenzy and gripping vocal drama with the story of a desirous young woman whose story has fascinated humankind for two thousand years.
Salome’s first appearance was in the Bible: The myth of Herod’s daughter, who has the severed head of John the Baptist presented to her in return for an erotic dance, is constantly being reworked, layered with new interpretations and fantasies. In Andreas Homoki’s production, Salome is a young woman hungry for experience who can no longer bear the claustrophobic, prison-like family home to which the Herod clan has retreated in order to defy the gathering storms of a religious and political turning point. Salome’s is fascinated by the prophet Jochanaan, who makes hate speeches about her family's decadence. In Homoki's production, he is not an ascetic in a harsh robe but a radical fundamentalist to whose virile, seductive, erotic power Salome succumbs. But Jochanaan’s curses are likewise desperate attempts to fend off Salome’s feminine allure, which he is unable to resist. Our revival is sung by the same duo that delighted audiences and critics in the premiere series: Russian soprano Elena Stikhina credibly embodies the princess’s radical youthfulness and at the same time has the artistic maturity to master the enormous vocal challenges of Strauss's monstrous role. Lithuanian bass-baritone Kostas Smoriginas brings with him the expressive masculine energy that characterizes Jochanaan in this production.

niemiecki

Zurych

Szwajcaria

Salome Strauss

Opera

Sharan Allad

angielski

SALOMEOper von Richard StraussPremiere am 12 Sep 2021www.opernhaus.ch/salomeMusikalische Leitung: Simone YoungInszenierung: Andreas HomokiBühnenbild: Hartmut...

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