Name: Schubert, Tchaikovsky, Mozart, Müller-Schott
Start: 2016-01-14T00:00:00.000Z
End: 2016-01-14T00:00:00.000Z
Location: Konserthus

Admin

Oslo Philharmonic

Cellist

Daniel Müller-Schott

Cello

Director(a) orquestal

Arvid Engegård

Orchestra

Schubert, Tchaikovsky, Mozart, Müller-Schott

Oslo

Noruega

Konserthus

Public

Concert

Oratorio / Orquestal

Variaciones sobre un tema rococó, Op. 33

Sinfonía n.º 39 en mi bemol mayor, K.543

Sinfonía n.º 8 en si menor, D. 759 ("Inacabada")

Keerthi Raj

Válido

Bajo

Instrumentalist

Pianista

Violinist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Compositor(a)

Director(a) de escena

Libretista

Escenógrafo(a)

Diseñador(a) de vestuario/Figurinista

Coreógrafo(a)

Diseñador(a) de iluminación

Bailarín(a)

Actor/actriz

Director(a) coral

Diseñador(a) de video

Dramaturgia

Traductor(a)

Diseñador(a) de sonido

Maestro repetidor

Maquillaje

Producción Ejecutiva

Peinado

Otro

Stage Manager

Coro

Orquesta

Poet

Entrenador(a) vocal

Profesor(a)

Photographer

Radiodifusión

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Soprano

Singer

Contratenor

Bajobarítono

Barítono

Mezzosoprano

Tenor

Contralto

Hablado

Vocalista infantil

Silencio

Alto

Continuo

Musicians who have performed the world premiere of a popular piece, must often be contented with an honorable footnote in the biography of the composer. The cellist to whom Tchaikovsky dedicated his Rococo Variations, practically rewrote the entire work.

When Tchaikovsky wrote Variations on a Rococo theme for cello and orchestra in the winter of 1876-1877, he was still teaching at the music conservatory in Moscow. One of his colleagues was the German cellist Wilhelm Fitzenhagen (1848-1890), who was also a composer alongside his teaching. Tchaikovsky invited his colleague, who was younger by eight years, to give his opinion on the composition, and in the autumn of 1877 Fitzenhagen performed the world premiere of the Variations in Moscow, as they had been written out by Tchaikovsky himself.

When the work was about to be printed, something strange had happened: Fitzenhagen had made a number of changes; he had both crossed out notes by the composer, added his own, and changed the movements around! The sequence of events varies slightly according to different sources, but what seems certain is that the publisher wrote to Tchaikovsky expressing his concern about the changes - in a language which did not shed a very flattering light on Fitzenhagen.

Tchaikovsky chose to allow the changes, a decision he arguably regretted. He later expressed irritation about Fitzenhagen’s meddling, but as the years went by, he seems to have accepted them. Ten years later he even let the cellist review another work for cello and orchestra, Pezzo Capriccioso. The revised version of the Variations was a success: after a performance in Wiesbaden in 1879, Franz Liszt himself is said to have generously praised the composition: Fitzenhagen quotes the legendary composer as remarking, “Finally a piece of real music!”

Until the 1950s, Fitzenhagen’s version was the only available one. Then a revised version based on analyses of the original manuscript was published. This version has also been recorded several times. Still, Fitzenhagen’s version and sequence of movements is still the most widely used, and it is this version you will hear in the concert, played by a German star cello player of our own time, Daniel Müller-Schott.

Tchaikovsky was a great admirer of Mozart, and drew inspiration from his idol in the Variations. The theme is not from the Rococo era, but is written by the composer in Rococo style. The term “Rococo” is not usually used when describing Mozart’s music, but lies close to it nevertheless in terms of time and ideas. Following the Variations the stage will be set for one of Mozart’s own masterpieces: Symphony No. 39 in E-flat major, written in 1788. The concert will start with Schubert’s unfinished Symphony No. 8.

English

Schubert, Tchaikovsky, Mozart, Müller-Schott by Tchaikovsky, P. I., Mozart, Schubert, De (2016/2016), Director Arvid Engegård, Konserthus, Oslo, Noruega

Créditos de presentación (Elenco & Equipo )

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Ensamble

Programa, Acerca de & Sinopsis

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