Organization

Bregenzer Festspiele

Dyrygent

Dyrygent (+1)

Daniel Johannes Mayr

Reżyseria

Reżyseria (+1)

Vasily Barkhatov

Sopran

Yannick-Muriel Noah

Stephana

Mezzosopran (+6)

Susanne Blattert

Nikona

Tenor (+1)

Santiago Sánchez

Il principe Alexis

Bas (+1)

Michael Krinner

Il banchiere Miskinsky

Bas (+2)

Martin Tzonev

Walinoff

Il governatore

L'invalido

Scenografia

Scenografia (+4)

Christian Schmidt

Kostiumy

Nicole von Graevenitz

Sopran (+3)

Clarry Bartha

La fanciulla

Tenor

George Oniani

Vassili

Tenor (+7)

Johannes Mertes

Ivan

Il cosacco

Juhwan Cho

L'ispettore

Il capitano

Asystent Reżysera Sceny

Sopran (+1)

Alma Gentile

Yaroslavia Kalesidis

Juana Inés Cano Restrepo

Asystent scenografa

Scenografia (+1)

Ansgar Baradoy

Wideo

Christian Borchers

Reżyseria światła

Reżyseria światła (+3)

Alexander Sivaev

Przygotowanie chóru

Przygotowanie chóru (+2)

Marco Medved

Baryton (+3)

Giorgos Kanaris

Gleby

Taras Ivaniv

Il sergente

Theater Bonn

Orchestra

Beethoven Orchester Bonn

Chorus

Choir of the Bonn Theater

Extras

Extras of the Theater Bonn

Opernhaus

It is an immense act of love, when Stephana gives up her life as a courtesan in the elegant villa in Saint Petersburg to follow her true love Vassilli to the prison camp in Siberia. There, in exile, Stephana turns into an indefatigable heroine.

The effective and dense plot, the liveliness of the characters’ emotions, the striking choruses are rendered by Umberto Giordano in his Italian opera SIBERIA in the verismo tradition. Passionate torrents of feeling culminate in the erotic ecstasy of the lovers, overwhelming in their emotional genuineness that is reenforced by almost filmic flashbacks. Fascinating Russian sound, from the Hymn to the Czar, the Russian national anthem, to the popular Song of the Volga Boatmen, is integrated into the entrancing music.

Despite all the local color, SIBERIA for Giordano, the composer of ANDREA CHENIER and FEDORA, is a universally human drama: “Love and suffering have no nationality.” As a member of the “giovane scuola” (the young school), Giordano opposed the omnipresence of Giuseppe Verdi in the repertoire, aspired to realism on the opera stage, and found his orientation in the music of Wagner and Massenet. SIBERIA premiered in 1903 at the Teatro alla Scala instead of Giacomo Puccini’s postponed MADAMA BUTTERFLY.

A young artist from Moscow will stage this inspiring work for the Bonner Opera: the internationally up-and-coming director Vasily Barkhatov will make his debut in Bonn with this work here.

włoski

Siberia -  (Syberia)

Bonn

Niemcy

Siberia

Opera

Syberia

niemiecki

angielski

This is "SIBIRIEN-Trailer" by Theater Bonn on Vimeo, the home for high quality videos and the people who love them.

Siberia Giordano

Approved

Siberia (Syberia), Giordano

Obsada

Stephana

Nikona

Il principe Alexis

Il banchiere Miskinsky

Walinoff

Il governatore

L'invalido

La fanciulla

Vassili

Ivan

Il cosacco

L'ispettore

Il capitano

Gleby

Il sergente

Załoga

Reżyseria

Asystent Reżysera Sceny

Dyrygent

Scenografia

Asystent scenografa

Kostiumy

Przygotowanie chóru

Reżyseria światła

Wideo

Instrumentacja

Producent

Producent

Ensemble

Orkiestra

Chór

Współproducent

Współproducent

Promowane filmy

Zdjęcia

Szczegóły

Kompozytor / -ka

Libretto

Opis

Synopsis produkcji