Organization

Direction d'orchestre

Gabriel Feltz

Mise en scène

Peter Konwitschny

Décors

Johannes Leiacker

Costumes

Dramaturgie

Daniel C. Schindler

Bettina Bartz

Head of studies

Thomas Hannig

Head of Production

Fabian Schäfer

Assistant Director

Dominik Kastl

Costume Assistant

René Neumann

Choreographic Assistant

Adriana Naldoni

Chanteur

Ténor

Daniel Frank

Siegfried

Matthias Wohlbrecht

Mime

Basse

Morgan Moody

Alberich

Denis Velev

Fafner

Soprano

Stéphanie Müther

Brünnhilde

Contralto

Aude Extrémo

Erda

Alina Wunderlin

L'oiseau de la forêt

Lumières

Florian Franzen

Baryton

Thomas Johannes Mayer

Le voyageur

Theater Dortmund

Orchestra

Dortmunder Philharmoniker

allemand

Dortmund

Allemagne

Opernhaus Dortmund

Opernhaus

Siegfried Wagner,Richard

Public

Valide

As an orphan, the inexperienced Siegfried grows up with the carelessly greedy blacksmith Mime, only the remains of a sword remain from his unknown father. At some point, curiosity about his own origins and identity is too great, and after fearlessly and naively reforging his father's wonderfully strong sword, he sets off. Mime had persuaded him that he had to learn to be afraid in order to survive in the world - preferably from the dragon worm Fafner, who dwells in a forest cave on a precious treasure, including the powerful ring that gives the title. But with his carefree nature, Siegfried masters the episode effortlessly and wins the treasure. What's more, after accidentally ingesting the Dragonborn, he can suddenly understand the language of animals! So he comes to a rock blazed with fire, where he finds a sleeping woman, Brünnhilde, who can only be awakened by the most fearless hero. For the first time, Siegfried feels fear - but it quickly turns into love!

The second day of the epic music drama is all about self-discovery and the original and natural, at times it seems like a fairy tale for grown-ups. Despite some dark moments, it's the most comedic part of the ring , and the first act in particular has upbeat moments with the Forge's Song. With Siegfried , Peter Konwitschny continues his highly acclaimed production of the tetralogy Der Ring des Nibelungen  , which will conclude in 2024/25 with the performance of the complete cycle.

English

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Ensemble