Name: Sinfónico 16
Start: 2023-04-21T00:00:00.000Z
End: 2023-04-23T00:00:00.000Z
Location: Auditorio Nacional de Musica

Organization

Conductor

Josep Pons

Soprano

Miina-Liisa Värelä

Sopran

Orquesta y Coro Nacionales de España

Sinfónico 16

Madrid

Spain

Auditorio Nacional de Musica

Sinfónico 16: Tod und Verklärung op. 24 TrV 158 (+2 More)

Public

Death and Transfiguration, op. 24

Four Last Songs

Electra

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Contralto

Singer

Bass-baritone

Baritone

Mezzo-soprano

Countertenor

Tenor

Spoken

Child vocalist

Silent

Alto

Continuo

Gossips say that there were two Richard Strauss: the young revolutionary who shook the concert –and opera– scene with the most daring and innovative music of his time, and the ordinary bourgeois who did not know how to adapt to the changes that occurred after World War I. and guarded until his death the last embers of Romanticism. This stimulating monographic program, which covers a whopping almost six decades of uninterrupted creative activity, includes one of his first great successes – Death and Transfiguration (1889) –, the definitive and most groundbreaking work of the first Strauss – Elektra (1909) – and his last and timeless swan song: the Four Last Songs (1948). Author himself of various selections for the concert halls of his operas –among the most performed, the batches of waltzes from The Knight of the Rose or the Symphonic Fantasy on The Woman Without a Shadow– Strauss left us orphans with respect to his most important score. incendiary Following this noble tradition, Elektra's symphonic suite recently put together by the conductor Manfred Honeck will allow us to enjoy from the safety of our seats the bloodthirsty deeds of the descendants of Atreus.

English

Las malas lenguas dicen que hubo dos Richard Strauss: el joven revolucionario que sacudió la escena concertística –y operística– con la música más atrevida e innovadora de su tiempo, y el adocenado burgués que no supo adaptarse a los cambios acaecidos tras la I Guerra Mundial y custodió hasta su muerte los últimos rescoldos del Romanticismo. Este estimulante programa monográfico, que abarca la friolera de casi seis décadas de ininterrumpida actividad creativa, incluye uno de sus primeros grandes éxitos –Muerte y transfiguración (1889)–, la obra definitiva y más rompedora del primer Strauss –Elektra (1909)– y su postrer y atemporal canto del cisne: las Cuatro últimas canciones (1948). Autor él mismo de diversas selecciones para las salas de concierto de sus óperas –entre las más interpretadas, las tandas de valses de El caballero de la rosa o la Fantasía sinfónica sobre La mujer sin sombra– Strauss nos dejó huérfanos con respecto a su partitura más incendiaria. Siguiendo esta noble tradición, la suite sinfónica de Elektra recientemente confeccionada por el director de orquesta Manfred Honeck nos permitirá disfrutar desde la seguridad de nuestras butacas las sanguinarias gestas de los descendientes de Atreo.

español

Sinfónico 16 by Strauss, ol. 21 api. 2023, Noiztik (2023/2023), Zuzendaria Josep Pons, Auditorio Nacional de Musica, Madrid, Spain

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