Name: SMS 6: Za pianiste
Start: 2024-05-30T00:00:00.000Z
End: 2024-05-31T00:00:00.000Z
Location: Cankarjev dom

Organization

Admin

Slovenska filharmonija

Dyrygent

Valentin Uryupin

Instrumentalista

Pianist

Alexander Gadjiev

Piano

Orchestra

CANKARJEV DOM CULTURE CENTRE

SMS 6: Za pianiste

Lublana

Słowenia

Cankarjev dom

Gallus Hall

SMS 6: Za pianiste: Piano Concerto No. 2 in G minor, op. 16 Prokofiev (+1 More)

Public

Piano Concerto No. 2 in G minor, op. 16

Symphony No. 4 in C Minor, op. 43

Approved

Nad sovjetskega skladateljskega zvezdnika Dmitrija Šostakoviča so se leta 1935 po velikanskem uspehu z opero Lady Macbeth Mcenskega okraja zgrnili temni oblaki, ker opera ni bila po Stalinovem okusu. Mladi Šostakovič je v trenutku postal nezaželen umetnik, kar je v njem zbudilo upor in vztrajanje. Ustvaril je Četrto simfonijo in pripravljal izvedbo z Leningrajskimi filharmoniki. Neposredno pred koncertom je orkester domnevno zaradi estetske in politične kontaminiranosti skladatelja praizvedbo odpovedal, nakar celih dvajset let simfonija ni ugledala luči sveta. Skladatelj je ves ta čas obstoj simfonije nekako zatajeval. Ko pa so Leningrajski filharmoniki simfonijo le izvedli, je pripomnil: »Boljša je, kot sem mislil. Vsekakor boljša od mojih zadnjih, Osme, na primer.«

V prvem delu koncerta bo prvič po izjemnem uspehu leta 2021 na Chopinovem pianističnem tekmovanju v Varšavi s Slovensko filharmonijo nastopil nagrajenec Alexander Gadjiev. Praznik za ljubitelje in poznavalce klavirske igre.

slovenščina

In 1935, after the huge success with the opera Lady Macbeth of the Mtsensk district , dark clouds gathered over the Soviet composer star Dmitri Shostakovich, because the opera was not to Stalin's taste. The young Shostakovich instantly became an undesirable artist, which awakened rebellion and persistence in him. He created the Fourth Symphony and prepared a performance with the Leningrad Philharmonic. Immediately before the concert, the orchestra canceled the premiere, allegedly because of the composer's aesthetic and political contamination, after which the symphony did not see the light of day for twenty years. All this time, the composer somehow concealed the existence of the symphony. But when the Leningrad Philharmonic just performed the symphony, he remarked: "It's better than I thought. Definitely better than my last, Osme, for example."

English

Udział w spektaklu (Obsada & realizacja )

Oprzyrządowanie

Ensemble

Współproducent