Name: Snegurotchka
Start: 2020-09-11T00:00:00.000Z
End: 2020-09-11T00:00:00.000Z
Location: Novaya Opera Theatre

Admin

Organization

Stage director

Valery Raku

Set designer

Samyon Shepherd

Costume designer

Galina Solovieva

Conductor

Evgeny Samoilov

Valery Kritskov

Chorus master

Maria Chekrkchieva

Singer

Soprano

Olga Ionova

The Snow Maiden

Galina Koroleva

Svetlana Skripkina

Elena Terentieva

Victoria Shevtsova

Irina Bozhenko

Irina Kostina

Galina Badikovskaya

Kupava

Natalia Kreslina

Tatiana Pechnikova

Elena Popovskaya

Olga Terentieva

Marina Nerabeyeva

Baritone

Andrej Breus

Mizgir

Ilya Kuzmin

Oleg Shagotsky

Sergey Sheremet

Alexander Popov

Mezzo-soprano

Anastasia Bibicheva

Spring Beauty

Margarita Nekrasova

Elena Svechnikova

Tatyana Tabachuk

Yulia Mennibaeva

Victoria Yarovaya

Bass

Alexey Antonov

Grandfather Frost

Sergey Artamonov

Vitaly Efanov

Vladimir Kudashev

Andrey Fetisov

Evgeny Stavinsky

Contralto

Agunda Kulaeva

Irina Romishevskaya

Aleksandra Saulskaya-Shultyaeva

Valeria Pfister

Tenor

Alexander Bogdanov

Tsar Berendey

Veniamin Egorov

Dmitry Pianov

Georgy Faradzhev

Yaroslav Abaimov

Bogdan Volkov

Bermyata

Dmitry Orlov

Bobyl Bakula

Maxim Ostroukhov

Emma Sarkisyan

Bobylikha

First Herald

Alexander Skvarko

Alexei Neklyudov

Dmitry Bobrov

Anton Bochkaryov

Alexander Tyupa

Novaya Opera

Rúisis

Snegurotchka -  (The Snowmaiden)

Moscow

Russia

Novaya Opera Theatre

Snegurotchka Rimsky-Korsakov

Public

The Snowmaiden

Approved

One of the main Russian operas, one of the best operas by N.A. Rimsky-Korsakov, the point of perfect balance between his early and late style - such is "The Snow Maiden" (1882). Based on the famous fairy tale by A.N. Ostrovsky, the composer brought a number of important accents to the composition. One of them is associated with the image of the Snow Maiden. "If Ostrovsky's heroine is more of a daughter of Frost, then Rimsky-Korsakov's heroine is primarily a daughter of Vesna... What is simple and natural for people is excruciatingly difficult for the Snow Maiden. She wins the right to be called a man" (A.A. Gozenpud).

"The Snow Maiden" gives us innumerable musical beauties: solo, ensemble scenes, impressive choral episodes ("Seeing off Maslenitsa" is a brilliant experience of a holistic reconstruction of a folk rite!) and, of course, bright symphonic fragments.

The production of the Novaya Opera has been a success with the audience for more than 15 years. "The fairy tale is a lie, yes there is a hint in it...", - textbook lines of A.S. Pushkin, which are the best fit for "The Snow Maiden": before us is a drama and at the same time a philosophical parable, striking in depth and multi-layeredness. The authors of the performance emphasized the dramatic element of the opera, the complex interweaving of myth and reality.

English

Creidmheasanna feidhmíochta (Foireann & Criú )

Caitheadh

Criú