Organization

Chanteur

Contralto

Franco Fagioli

Solomon

Soprano

Bernarda Bobro

Nicaule

Kirsten Blaise

Solomon's Queen

Agnes Scheibelreiter

First hariot

Mezzo-soprano

Ida Aldrian

Second hariot

Ténor

James Oxley

Zadok

Basse

Günter Haumer

un lévite

Direction d'orchestre

Martin Haselböck

Matthew Halls

MusikTheater an der Wien

Others

Chorus Sine Nomine

Orchestra

Orchester Wiener Akademie

Wiener Akademie

Solomon -  (Salomon)

Vienne

Autriche

Theater an der Wien

Salomon

Valide

Handel used the summer months of 1748 to compose oratorios for the coming season and wrote the two different works Solomon and Susanna . The author of both librettos is unknown today.
Based on the biblical Book of Kings and the Book of Chronicles as well as the Antiquitates Judaicae by Flavius ​​Josephus, the unknown poet draws three large-scale images of the reign of Solomon in Solomon. No continuous plot is portrayed, but rather homage to a ruler of antiquity in allegorical scenes.

Handel's Solomonbut did not glorify the ruling king, but rather called on the subjects to compare social ideals and real rulership virtues using the example of Solomon. For this, Handel wrote one of his most mysterious scores full of musical ambiguities. The subtle irony of the oratorio, in which the future of psychologically differentiated music theater is already being heard, may have disturbed the audience at the time. Solomon had only four performances after the world premiere during Handel's lifetime.

English

Salomon by Händel, Du (2013/2013), Chef d'orchestre Martin Haselböck, Matthew Halls, Theater an der Wien, Vienne, Autriche

Crédits de représentation (Distribution et équipe de production )

Distribution

Ensemble

Programme, À Propos & Synopsis

Lectures complémentaires

Dates et lieux de représentation

Salles