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Filharmonia Łódzka im. Artura Rubinsteina

Direction d'orchestre

Daniel Raiskin

Orchestra

Instrument

Marianna Shirinyan

piano

Direction de choeur

Dawid Ber

Janusz Siadlak

Others

Filharmonia Łódzka

Częstochowa Philharmonic Chorus

Chanteur

Ewa Podleś

Voice

Symphony Concert

Łódź

Pologne

Filharmonia Łódzka im. Artura Rubinsteina (Lodz Philharmonic Concert Hall)

Public

Concert

Oratorio

Concerto Pour Piano Et Orchestre En La Mineur Op. 16

Peer Gynt, op. 23

Alexander Nevsky (cantata), Op.78

Saileshwaran Thirumurthy

Valide

Edward Grieg’s Piano concerto in A minor Op. 16 and his suite “Peer Gynt” are so well-known that they do not need an introduction. The bright harmonies and lyricism in conjunction with a youthful enthusiasm have endeared those compositions to audiences around the world. The soloist will be the internationally acclaimed Armenian pianist Marianna Shirinyan, who has been in much demand across Europe. Sergei Prokofiev’s work is the polar opposite of Grieg’s pieces. Prokofiev wrote music for Eisenstein’s film “Alexander Nevsky” (narrating the victory of the Russian Prince Alexander over the German invaders in the 13th century), and then remade it into a symphonic cantata. This 7-movement work is considered a “synthesis of illustrative film music, symphonic program music, opera, and song”. The cantata was met with great success and has become part of the core repertoire of the composer. The concert at the Philharmonic features a song from the 6th movement, mourning the slain heroes, masterfully sung by Ewa Podleś. As one opera blogger wrote, “one gets the impression that no one will ever sing it better... Wonderful music, a divine performance!”

English

Symphony Concert by Grieg, Prokofiev, Du (2015/2015), Chef d'orchestre Daniel Raiskin, Filharmonia Łódzka im. Artura Rubinsteina (Lodz Philharmonic Concert Hall), Łódź, Pologne

Crédits de représentation (Distribution et équipe de production )

Instrumentation

Ensemble

Programme, À Propos & Synopsis

Lectures complémentaires

Dates et lieux de représentation

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