Organization

Hessisches Staatstheater

Basse (+3)

Young Doo Park

Hermann

Soprano (+4)

Betsy Horne

Élisabeth

Baryton (+4)

Benjamin Russell

Wolfram von Eschenbach

Thomas de Vries

Biterolf

Ténor (+5)

Ralf Rachbauer

Heinrich le Scribe

Soprano (+2)

Stella An

Un jeune pâtre

Mise en scène

Mise en scène (+3)

Uwe Eric Laufenberg

Décors

Décors (+2)

Rolf Glittenberg

Costumes

Costumes (+1)

Marianne Glittenberg

Video

Gérard Naziri

Lumières

Lumières (+1)

Andreas Frank

Chef de chœur

Chef de chœur (+3)

Albert Horne

Dramaturge

Dramaturge (+5)

Regine Palmai

Direction d'orchestre

Direction d'orchestre (+3)

Michael Güttler

Parlé

Johannes Kastl

Ténor

Marco Jentzsch

Tannhäuser

Mezzo-soprano (+4)

Katrin Wundsam

Vénus

Ténor (+2)

Gustavo Quaresma

Walther von der Vogelweide

Baryton-basse (+2)

Mikhail Biryukov

Reinmar von Zweter

Aaron Cawley

Klaus Florian Vogt

Hessisches Staatstheater Wiesbaden

Orchestra

Hessisches Staatsorchester Wiesbaden

Extras

Statisterie des Hessischen Staatstheaters Wiesbaden

Chorus

Chor des Hessischen Staatstheaters Wiesbaden

Soprano

Elena Bezgodkova

Baryton (+3)

Christopher Bolduc

Closely related to Faust, Wagner's Tannhäuser seems to carry two souls in his chest. Both courageous and rebellious, he is desperately seeking to cross a border, to make a breakthrough, while as an artist he also yearns to be accepted into Wartburg society. Which is the road to "salvation"? The pilgrimage to Rome or a return to Venusberg? Does the journey require a detour, perhaps a more rebellious approach - or should we simply be following the chosen path? For all its "Tannhäuser" conflicts, the world seems to need a miracle to let the the pilgrim's staff thrive once again.

Photos