Name: Telemann, Händel
Start: 2024-01-30T00:00:00.000Z
End: 2024-01-30T00:00:00.000Z
Location: Slovak Philharmonic

Admin

Slovak Philharmonic

Others

Il Cuore Barocco

Singer

Michaela Kušteková

Soprano

Telemann, Händel

Bratislava

Slovakia

Small Hall

Telemann, Händel:

Public

Private

Concert

Concerto Grosso in D major Op. 3 No. 6, HWV 317

Ouverture-Suite In E Minor, TWV 55:e10

Agrippina condotta a morire or Dunque sarà pur vero, HWV110

Joshua Dos

Approved

Georg Friedrich Händel arrived in Italy as a German but left with a mastery of the Italian musical language. This Italian influence was reflected in his work throughout the rest of his life. His Italian cantatas are essentially the germ of the opera scene, they are a repository of musical and dramatic ideas. He composed the cantata Agrippina condotta a morire in 1707/1708 and it was performed for the first time in the palace of Cardinal Ruspoli in Rome. The way Handel portrayed the extremely contrasting emotions of a mother condemned to death by her own son makes this cantata truly a  masterpiece. A performance brimming with virtuoso passages for flute a violin characterizes the third Concerto Grosso from Opus No. 3. In an attempt to build on the commercial success of Corelli’s concertos, John Walsh published it without Handel’s awareness. The Il Cuore Barocco ensemble specializes in presenting the works of Baroque and Classicist masters in their authentic, historical form. It consists of younger musicians, graduates of the Musica Aeterna and Solamente naturali ensembles. The emotional cantata will be performed by Michaela Kušteková, a soloist from the Banská Bystrica State Opera, known for her inclination to interpret the works of the old masters.

English

Do Talianska pricestoval Georg Friedrich Händel ako Nemec, no opúšťal ho ovládajúc taliansky hudobný jazyk. Tento taliansky vplyv sa prejavoval v jeho tvorbe po celý zvyšok života. Jeho talianske kantáty sú v podstate zárodkom opernej scény, sú zásobárňou hudobných a dramatických myšlienok. Kantátu Agrippina condotta a morire skomponoval v rokoch 1707/1708 a prvýkrát zaznela v paláci kardinála Ruspoliho v Ríme. Spôsob, akým Händel stvárnil extrémne kontrastné emócie matky, odsúdenej na smrť vlastným synom, robí z tejto kantáty skutočne majstrovské dielo. Koncert plný virtuóznych pasáží pre flautu a husle, taký je tretí Concerto Grosso z opusu č. 3. V snahe nadviazať na komerčný úspech Corelliho koncertov ho John Walsh vydal bez Händlovho vedomia. Súbor Il Cuore Barocco sa špecializuje na uvádzanie diel barokových a klasicistických majstrov v ich autentickej, historickej podobe. Tvoria ho mladší hráči, odchovanci súborov Musica Aeterna a Solamente naturali. Emočnú kantátu bude interpretovať sólistka štátnej opery Banská Bystrica, Michaela Kušteková, ktorá v koncertnej oblasti inklinuje k interpretácii diel starých majstrov.

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