Name: Terzett – Brexit
Start: 2022-04-02T00:00:00.000Z
End: 2022-04-02T00:00:00.000Z
Location: Kultur- und Kongresszentrum - Liederhalle

Organization

Direction d'orchestre

Christian Zacharias

Piano

Chanteur

Soprano

Ruby Hughes

Sopran

Orchestra

Stuttgart Philharmonic

Terzett – Brexit

Stuttgart

Allemagne

Kultur- und Kongresszentrum - Liederhalle

Terzett – Brexit: Concert Various (+1 More)

Public

Concert

Les Illuminations, op. 18

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Costumes

Danse

Diffusion

Direction de choeur

Dramaturgie

Décors

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Mise en scène

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Ténor

Contralto

Basse

Baryton-basse

Baryton

Contre-ténor

Mezzo-soprano

Alto

Continuo

Rôle muet

Rôle parlant

Voix d'enfant

Ruby Hughes (Photo: Phil Sharp)

The English composer Thomas Tallis (1505-1585) lived during the reign of Queen Elizabeth I, a cultural heyday of the English Renaissance. Ralph Vaughan Williams (1872-1958) was interested in the music of the time as a young man. Tallis' theme, about which Vaughan Williams fantasized in 1910, is a setting of the psalm verse, which is rich in references for us, "Why do the peoples rage, why do the nations make futile plans?"
Benjamin Britten's (1913-1976) artistic curiosity was not only directed towards British culture, but also towards the European continent, especially France, from where the ten almost untranslatable poems by Arthur Rimbaud (1854-1891) come from, which he wrote in “Les Illuminations "is used. Rimbaud's poetry and Britten's setting are filled with the fascination of the cities, which is raised to a mystical and surreal level: “The Bacchantes from the suburbs sob and the moon burns and howls. Venus enters the caves of the blacksmiths and hermits. "
The fact that Ludwig van Beethoven (1770-1827) wrote not only the “Eroica” in 1803, which was originally to be called “Sinfonia Bonaparte”, but also piano variations on the melody of the English royal anthem in the same year, shows that he had sympathy for both sides ( He also arranged a large number of Scottish songs) - one could say that his horizon was European.
With so many musical entanglements among Europeans and interest in one another, “Brexit” is also a deplorable process in terms of culture. Christian Zacharias, pianist, conductor and creator of our program, found the right orchestral work for its end: Haydn's 45th is not one of the twelve symphonies he composed for London, but it is a particularly expressive, dramatic and uniquely staged ending!

English

Terzett – Brexit by Various, Britten, Du (2022/2022), Chef d'orchestre Christian Zacharias, Kultur- und Kongresszentrum - Liederhalle, Stuttgart, Allemagne

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Programme, À Propos & Synopsis

Photos

Lectures complémentaires

Dates et lieux de représentation

Salles