Name: Terzett – Brexit
Start: 2022-04-02T00:00:00.000Z
End: 2022-04-02T00:00:00.000Z
Location: Kultur- und Kongresszentrum - Liederhalle

Organization

Dirigent

Christian Zacharias

Pianist

Sångare

Soprano

Ruby Hughes

Sopran

Orchestra

Stuttgart Philharmonic

Terzett – Brexit

Stuttgart

Tyskland

Kultur- und Kongresszentrum - Liederhalle

Terzett – Brexit: Concert Various (+1 More)

Public

Concert

Les Illuminations, op. 18

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chorus Director

Dansare

Dramaturg

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Koreograf

Kostym designer

Kör

Körledare

Librettist

Ljud designer

Ljus designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Regissör

Repetitör

Scenograf

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Countertenor

Baritone

Contralto

Bass-baritone

Bass

Mezzo-soprano

Tenor

Alto

Child vocalist

Continuo

Silent

Spoken

Ruby Hughes (Photo: Phil Sharp)

The English composer Thomas Tallis (1505-1585) lived during the reign of Queen Elizabeth I, a cultural heyday of the English Renaissance. Ralph Vaughan Williams (1872-1958) was interested in the music of the time as a young man. Tallis' theme, about which Vaughan Williams fantasized in 1910, is a setting of the psalm verse, which is rich in references for us, "Why do the peoples rage, why do the nations make futile plans?"
Benjamin Britten's (1913-1976) artistic curiosity was not only directed towards British culture, but also towards the European continent, especially France, from where the ten almost untranslatable poems by Arthur Rimbaud (1854-1891) come from, which he wrote in “Les Illuminations "is used. Rimbaud's poetry and Britten's setting are filled with the fascination of the cities, which is raised to a mystical and surreal level: “The Bacchantes from the suburbs sob and the moon burns and howls. Venus enters the caves of the blacksmiths and hermits. "
The fact that Ludwig van Beethoven (1770-1827) wrote not only the “Eroica” in 1803, which was originally to be called “Sinfonia Bonaparte”, but also piano variations on the melody of the English royal anthem in the same year, shows that he had sympathy for both sides ( He also arranged a large number of Scottish songs) - one could say that his horizon was European.
With so many musical entanglements among Europeans and interest in one another, “Brexit” is also a deplorable process in terms of culture. Christian Zacharias, pianist, conductor and creator of our program, found the right orchestral work for its end: Haydn's 45th is not one of the twelve symphonies he composed for London, but it is a particularly expressive, dramatic and uniquely staged ending!

English

Terzett – Brexit by Various, Britten, Från (2022/2022), Dirigent Christian Zacharias, Kultur- und Kongresszentrum - Liederhalle, Stuttgart, Tyskland

Föreställningskrediter (Medverkande & produktionsteam )

Medverkande

Besättning

Program, Om & Synopsis

Foton

Vidare läsning

Föreställningsdatum och lokaler

Spelplatser