Name: Renard
Start: 2017-03-09T00:00:00.000Z
End: 2017-03-10T00:00:00.000Z
Location: New College

Organization

Dyrygent

Chloe Rooke

Reżyseria

Michael Burden

Śpiewak

Alexander Gebhard

Tenor 2

William Rowland

Tenor 1

Mezzosopran

Johanna Harrison

Yelena Ivanovna Popova

Baryton

Daniel Tate

Grigory Stepanovich Smirnov

Bas - baryton

Frederick Crowley

Lukas

New Chamber Opera

Renard

Oksford

Wielka Brytania

New College

Antechapel

Renard Stravinsky (+1 More)

Public

The Bear

Approved

Accordionist

Instrumentalista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Aktor

Broadcasting

Choreografia

Chorus Director

Chór

Dramaturgia

Extra

Fryzjer

Illustrator

Kompozytor / -ka

Korepetytor /- ka

Kostiumy

Libretto

Makijaż

Orchestra Operations

Orkiestra

Other

Photographer

Poet

Produkcja wykonawcza

Przygotowanie chóru

Realizacja dźwięku

Reżyseria światła

Scenografia

Stage Manager

Taniec

Teacher

Tłumaczenie

Vocal coach

Wideo

Wig & Makeup Designer

Writer

Writing and performance

Sopran

Tenor

Kontratenor

Kontralt

Alto

Continuo

Głos dziecięcy

Silent

Spoken

William Waltonâ€™s The Bear and Igor Stravinskyâ€™s Renard, have more in common than it might appear for, both are based on Russian tales: Waltonâ€™s â€˜Extravaganzaâ€™ uses Chekhovâ€™s play of the same name as its source, while Stravinskyâ€™s â€˜Histoire burlesqueâ€™ was based by the composer on Russian folk tales from a collection by Alexander Afanasyev. The full title of Renard can be translated as The fable of the Vixen, the Cock the Cat and the Ram, which is a vicious moralizing tale, satirising both religion and the Church. The Cock is caught twice by the Fox, and is twice rescued by the Cat and the Ram; after the second rescue, the Cat and Ram kill the Fox. The Bear is a more light- hearted piece, and tells the story of Popova, who has been recently widowed. However, her attempts to remain faithful to her husband receive a blow as it emerges that Popov was promiscuous and unfaithful. One of her husbandâ€™ creditors, Smirnov, arrives; he is boorish and crass (the Bear), but Popova falls in love with him, and the opera ends with Luka, the servant looking aghast at the turn of events. The Bear, a Koussevitzky commission, premiered at Jubilee Hall, Aldeburgh, on 3 June 1967; Renard was commissioned by Princesse Edmond de Polignac and was ï¬rst performed in Paris on 18 May 1922, by the Ballets Russes.

English

Renard by Stravinsky, The Bear by Walton, od (2017/2017), W reżyserii Michael Burden,, Dyrygent Chloe Rooke, New College, Oksford, Wielka Brytania

Udział w spektaklu (Obsada & realizacja )

Obsada

Program, informacje i streszczenie

Zdjęcia

Dalsza lektura

Daty i miejsca występów

Miejsca