Organization

Münchener Biennale

Diretor de Palco

Sandra Strunz

Maestro

Rei Munakata

Cenógrafo

Sabine Kohlstedt

Designer de Iluminação

Nicole Berry

Designer de Som

Sebastian Schottke

Dramaturgo

Anna-Sophia Güther

Cantor

Johanna Greulich

Dana

Eva Resch

Sara

Jessica Higgins

Matthias Breitenbach

Data Collector

Ilya Lapich

Dream Interpreter

Maria Munkert

Coreógrafo

Ted Stoffer

Deborah Maier

Art and mediation

Oliver Riedmüller

Nationaltheater Mannheim

Orchestra

Nationaltheater-Orchester Mannheim

inglês

The Damned and the Saved

Alemanha

Public

alemão

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Dançarino

Designer de Vídeo

Estilista

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baixo-barítono

Contratenor

Mezzo-soprano

Contralto

Barítono

Baixo

Tenor

Soprano

Alto

Silent

Spoken

Vocalista Infantil

In “The Damned and the Saved”, the composer Malin Bång and Pat To Yan, in-house author at NTM in the 2021/22 season, focus on the friendship of two women in their work together. In an unspecified repressive system, a machine rules as king, which is fed with garbage left behind after demonstrations. This is used for meticulous follow-up and provides information on entire biographies, which can then be switched off. The friends try to assert themselves against this totalitarian violence and choose different ways of resistance. This puts their relationship to the test, as Dana radically confronts herself and those around her with the rule of injustice, while Sara pursues a quieter revolution.

In his first libretto, Pat To Yan negotiates the question of how unconditional resistance must be in a metaphorical-simile and at the same time brutally concrete. In his text, levels of reality and dreams shift, which congenially merge through the music.

The music of the Swedish composer Malin Bång creates a cosmos full of surprising and contrasting sounds that range from restrained intimacy to stubborn sharpness. Her composition continues the rhythm and melody of Pat To Yan's libretto and creates both connections and boundaries between the worlds of experience of the two protagonists.

English

The Damned and the Saved by Bång, qui 16 jun 2022, De (2022/2022), Dirigido por Sandra Strunz,, Regente Rei Munakata

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto

Programa, Sobre & Sinopse

Leitura adicional

Datas e locais de apresentação

Locais de Eventos