Name: The Fairy Queen
Start: 2016-02-10T00:00:00.000Z
End: 2016-02-10T00:00:00.000Z
Location: Opéra

Admin

Organization

Cantor

Soprano

Virginie Pochon

First Fairy

Juno

Contratenor

Caroline Mutel

Summer

Night

Hjördis Thébault

Second Fairy

Mystery

Chinese Woman

Baixo

Frédéric Caton

Drunken Poet

Sleep

Winter

Hymen

Tenor

Jean-François Novelli

Phoebus

Autumn

Chinese Man

Théophile Alexandre

Secrecy

Spring

Ronan Nédélec

Corydon

Julien Picard

Mopsa

Maestro

Sébastien d'Hérin

Diretor de Palco

Cenógrafo

Denis Fruchaud

Estilista

Marie Koch

Designer de Iluminação

Fabrice Guilbert

Opéra Grand Avignon

Orchestra

Ensemble Les Nouveaux Caractères

The Fairy Queen -  (A Rainha das Fadas)

Avinhão

França

Opéra

A Rainha das Fadas

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Som

Designer de Vídeo

Dramaturgo

Estilista de cabelo

Extra

Illustrator

Libretista

Maquiador

Mestre de Coro

Orchestra Operations

Orquestra

Other

Photographer

Poet

Produtor executivo

Repetidor

Stage Manager

Teacher

Tradutor

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Barítono

Mezzo-soprano

Baixo-barítono

Contralto

Alto

Silent

Spoken

Vocalista Infantil

The Fairy Queen, (La Reine des Fées) is a semi-opera in five acts and a prologue, composed by Purcell in 1692, after Shakespeare's A Midsummer Night's Dream. The libretto, which follows the play from afar, is anonymous. Purcell then reigns supreme over the English musical world; he has already composed works which, even today, make him an essential genius (Dido and Aeneas, King Arthur, Ode to Saint Cecilia, Sonatas, etc.)
Written by Shakespeare on the occasion of an aristocratic marriage, adapted with splendor for the London public of the Restoration, the comedy, which became semi-opera, interweaves during the same night an aristocratic marriage, pastoral idylls, loves of the theater, played by amateur actors and the marital conflicts between Oberon and Titania, rulers of the elves.

The sylvan darkness, the liberating force of the dream and the capricious influence of the moon favoring amorous contagion, the work covers the range of feeling and the whole range of laughter with a fantasy that makes it a peak of Baroque spectacle. "Shakespeare's theater is a cabinet of curiosities in which the history of the world passes before our eyes, suspended in the invisible thread of time", said Goethe. It is taken up by the director Caroline Mutel who takes this look at Purcell's work: "if one chooses not to represent a libretto which distorts Shakespeare's play, Fairy Queen is a blank page leaving the words of the music tell other stories, far from stage directions and elves in bloomers".

English

The Fairy Queen, (La Reine des Fées) est un semi-opéra en cinq actes et un prologue, composé par Purcell en 1692, d’après le Songe d’une nuit d’été de Shakespeare. Le livret, qui suit de très loin la pièce, est anonyme. Purcell règne alors en maître sur le monde musical anglais ; il a déjà composé des œuvres qui, aujourd’hui encore, font de lui un génie incontournable (Didon et Enée, King Arthur, Ode à Sainte Cécile, Sonates…)
Écrite par Shakespeare à l’occasion d’un mariage aristocratique, adaptée avec faste pour le public londonien de la Restauration, la comédie, devenue semi-opéra, entremêle au cours d’une même nuit un hymen aristocratique, des idylles pastorales, des amours de théâtre, joués par des comédiens amateurs et les conflits conjugaux opposant Obéron et Titania, souverains des elfes.

L’obscurité sylvestre, la force libératoire du rêve et l’influence capricieuse de la lune favorisant la contagion amoureuse, l’œuvre parcourt l’éventail du sentiment et toute la gamme du rire avec une fantaisie qui en fait un sommet du spectacle baroque. « Le théâtre de Shakespeare est un cabinet de curiosités dans lequel l’histoire du monde passe devant nos yeux, suspendue au fil invisible du temps », disait Goethe. Il est repris par la metteuse en scène Caroline Mutel qui porte ce regard sur l’œuvre de Purcell : « si l’on choisit de ne pas représenter un livret qui dénature la pièce de Shakespeare, Fairy Queen est une page blanche laissant les mots de la musique raconter d’autres histoires, loin des didascalies et des elfes en culottes bouffantes ».

français

A Rainha das Fadas by Purcell, qua 10 fev 2016, De (2016/2016), Dirigido por Caroline Mutel,, Regente Sébastien d'Hérin, Opéra, Avinhão, França

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto

Programa, Sobre & Sinopse

Leitura adicional

Datas e locais de apresentação

Locais de Eventos